Research And Creation Practice Of Spatial Narrative In Poverty Alleviation Movie

The year 2020 is the final year of the comprehensive victory in poverty alleviation.At this historical juncture,this dissertation sorts out and interprets poverty alleviation films and summarizes their overall image presentation,revealing the interaction between spatial presentation and national ideology expression in poverty alleviation films in the context of modernization process.It can provide a narrative paradigm of reference for the creation of the same type of films at present,and better play the function of building a strong socialist culture carried by films.The first chapter of the dissertation combines the concept of "poverty alleviation" in the policy and the narrative content of the film to define the concept of poverty alleviation films in a broad and narrow sense,and on this basis,the characteristics of the existing poverty alleviation films are summarized and summarized.The research object of this dissertation is poverty alleviation films,it mainly presents the image of space in rural China,so the second chapter focuses the study of the rural space of the Chinese films,by reviewing the village space in different historical periods of ideological expression,and two traditional Chinese rural space narrative,as a reference to mining the ideology in the poverty alleviation film expression.The third chapter mainly expounds three spatial narrative modes of poverty alleviation films,namely,the spatial expression of narrated,the spatial expression of migration and the spatial expression of difference.Finally,in the fourth chapter,the author analyzes the graduation work "Bright is the moon over my home village" and the creation method explained in the first three chapters,responding to the interpretation content of the first three chapters.