Research On The Window Culture Of Suzhou Classical Gardens

The classical gardens of Suzhou enjoy the reputation of "the gardens of the south of the Yangtze River and the south of the gardens of Suzhou".They are praised as"reconstruction of the Qiankun",and the window is a unique decorative and structural element of Suzhou classical gardens.The window culture of Suzhou classical gardens also provides a possibility and reference for the space creation of Chinese painting.The spatial expression,visual effect,artistic conception and Chinese painting reflected by the window are connected.The arrangement of the windows is based on the theory of painting,obeying the rules of painting,so that the window can be picturesque.It is a unique aesthetic way for Chinese people to see natural objects through the window and feel the distance.The cover and reflection of the window in Suzhou classical garden broke the closed pattern and created a flowing and rich space aesthetic.This beauty includes the flow of sunlight,air,time,vision,etc.It is also the landscape of the gardeners and the scenery they appreciate.Emotionally interact and interact.This paper makes a certain study on the definition and classification of Suzhou classical garden window and the aesthetic and cultural basis of the spatial image embodied in the window,trying to start from the function and spatial meaning of the window,thus causing the shadowing and privacy of the window.The peeping psychology has been discussed in the painting of the Spring Palace and the spatial effect of the transition and the overall effect of the window and the way of the scroll painting.