The Style And Humanistic Interpretation Of Schubert's String Quartet In D Minor

Franz Schubert,an Austrian composer,was an early representative of romanticism,with outstanding achievements in artistic songs,orchestral music,piano music and chamber music.At present,there are few studies on instrumental music in China,especially in chamber music.The author with the help of a music ontology analysis,analysis of narrative style music and works of cultural interpretation in "d minor string quartet",strives to grasp its style,on the basis of further explore the works contains the connotation of the humanities.The thesis is divided into three chapters: In the first chapter,through the analysis of the essence of music elements,such as the theme,motivation and strength of d minor,the article examines the emotional expression and style characteristics of "d minor string quartet".Schubert combines the various styles of "d minor" with the rich individuality and sound language.On the one hand,it enhances the emotional expressiveness of music and enhances the drama tension of music.In the second chapter,the author analyzes the "death and the maiden" and "Lord" in shaping the character image,to explore the two songs and in "d minor string quartet " in the theme structure mapping on the contacts and music style.Finally summed up the Schubert in shaping the opposite images of "death" and the "maiden" at the same time,by the variations of the theme and tonal shift to "fight" between the process of narrative expression.In the third chapter,the author combined with the historical literature,through to the composer’s social and historical context,personal life circumstance,personality characteristics,further excavate the work contains the humanistic connotation.The author believes that the works profoundly reflect the dark social reality during the reign of Metternich,as well as the dual personality and life situation of Schubert himself.