Research On The Acceptance Of Gao Xiaosheng's Novels In The Early "New Era"

This research is not a general comment on the study of Gao Xiao sheng so far,but take the study about Gao Xiaosheng's novels in the early period of the"new period" as a literary case,to explore the acceptance mechanism and the regulations of the writers and their creation in the "literary field" in the early period of the "new period".1.To make up for the lack of research in Gao Xiaosheng.The study of Gao Xiaosheng's works from the perspective of reception aesthetics can broaden the vision and space of research,and get the cognition and conclusion that can not be obtained from other research perspectives.2.The topic itself has a high academic value,because the acceptance of Gao Xiaosheng's works at the beginning of the new era has its particularity.By reason of the specific political reasons of the times,accepting often influenced by many social problems,showing the emphasis on accepting the choice.Some of Gao Xiaosheng's works won numerous awards,and the other types of works have been cold and cold-up at the same time.This is both the paradox and the profound social meaning and literary meaning.3.The study is not only a literary level,but more related to the relationship between the acceptance of the writers' works and the times,the social,political and aesthetic subjects(the readers),and the relationship between the three parties of politics,literature and the individual.How does literature conspire with politics in the early period of the "new period" and how to"serve the people" Then it explores the rules and characteristics of contemporary writers'acceptance.The full text will be discussed from the following five aspects:The introduction part of the thesis expounds the life of writer Gao Xiaosheng,the origin of the research,the summary of the study of Gao Xiaosheng's works and the concepts of"literary field" and "reception aesthetics".The first chapter,starting with the social background of the great times,emphasizes the formation of the "modern consensus" and discusses the causes and inevitability of the formation from three angles of political,common and ideological and cultural aspects.This leads to the fact that the reconstruction of the "literary field" is also the same under this background,and further explains this.What is the characteristic of the "literary field"restructured in a period of time.The second chapter focuses on Gao Xiaosheng's works which have attracted much attention from academia and have great social influence,mainly taking the "Chen Huansheng"series as an example.From the literary history of various versions of Gao Xiaosheng's evaluation and the award-winning situation of Gao Xiaosheng's novels,the degree of concern of this kind of work is presented.Then,taking the winning mechanism of the novel as the main point of discussion,combined with the acceptance of ordinary readers and the evaluation of the mainstream critics,it is demonstrated that the award actually embodies the mainstream evaluation,the readers and the writers in the "literary field".The third chapter focuses on Gao Xiaosheng's neglected works,which are known as"symbolic works" or "modernist works" by critics.First of all,this kind of work is read in text,and then the reasons for the possible existence of this kind of works are explored from the shallow to the deep,and the literary value of this kind of works,the value of history,and the orientation of the history of literature are given.The conclusion part will reconsider the different treatment and evaluation of different works of writer Gao Xiaosheng in the society and the times,and affirm the time value and historical significance of the works.On this basis,we think deeply about how the "literary field" in the early period of the "new period" is operating and how the literature is going forward in the era of the flood and the whirlpool.