The Spread And Acceptance Of The Ming-Qing Musical Spectrum In The Edo Period In Japan

Qinpu,as the text carrier of Qin music,has a long history of inheritance,and it has been widely concerned by the academic community.However,the inheritance of music score collections in China is often the focus of most music score studies.Therefore,in order to see the radiation of music score collections in depth,we need to cross borders,countries,and different types of culture.Therefore,this article attempts to systematically organize the historical materials related to the spread of Guqin culture in Japan,and uses the theories of communication and philology to spread from the collection of piano scores,the simulation of Japanese works,and the use of Japanese music in the Edo period The impact is discussed in order to construct a complete musical score collection in the Edo era of Japan.This research should not only focus on the diversification of communication,but also focus on delineating the form of acceptance of China's music score collection from Edo-era works.It helps us to understand the differences in the acceptance of the same thing in different cultural backgrounds,and also helps us to deeply understand the role and effect of the collection of Chinese music on the Edo period in Japan.This thesis is divided into three parts: the introduction,the main chapter and the conclusion.The main chapter is divided into four parts.The first two parts focus on the dissemination of the music score collection,and explain the era background and the ontology content of the music score collection from the Ming and Qing Dynasties to the Edo period in Japan.Way.The last two chapters are from the perspective of the Edo era,and explain the accepted part.The first is to start from the text content of the Edo Music Book Collection,check the accepted text marks of the Ming and Qing music book collection,and verify the relationship between the music book collection written by the Edo Musicians and the Ming and Qing Music Book.The second is to start with the Confucian community and Japanese music,and find out that in different cultural levels in Japan,people have a dynamic acceptance of the texts that are separated from the music score collection.Symbol and value symbol.