Exploration Of Feng Zikai's Artistic Thought And Practice From The Perspective Of Buddhism

Feng zikai holds an important position in the history of Chinese modern literature and art,especially in the fields of literature,art and music.At the same time,feng zikai is a buddhist and a scholar.Feng zikai guides the art practice and art education with the philosophy and practice of Buddhism,so he also contains buddhist thoughts in his art thought and practice.The structure of the paper is as follows:The first chapter discusses the background of feng zikai's conversion to Buddhism as well as the important composition and artistic expression of feng zikai's thoughts on Buddhism.First of all,family background and era background are the environment in which feng zikai lived.Secondly,in the process of feng zikai convert to Buddhism,master hong yi,summer Mian honour,his also plays an important role.Therefore,the first section of this chapter elaborates the background of feng zikai's conversion to Buddhism from the above aspects.The second section explores feng zikai's thoughts on Buddhism.Feng zikai's thoughts on Buddhism are quite complex,and this chapter focuses on the more prominent thoughts of Buddhism in feng zikai's works,namely,the view of impermanence,compassion and causality.In addition,this chapter focuses on the view of impermanence,compassion and causality and explores feng zikai's artistic expression in these three aspects.The second chapter focuses on the two concepts of "insulation" and "childlike heart" in feng zikai's appreciation of artistic creation,and explores the connotation of Buddhism.The first section of this chapter discusses feng zikai's theory of insulation.The first part elaborates feng zikai's concept of "insulation theory".At the same time,it is found that feng zikai's "insulation theory" is similar to Kant's "aesthetic non-interest",and feng zikai has carried out localization reform.The modified theory of "insulation" contains the buddhist concept of "no thoughts".Through comparison,it is found that it is similar to the thinking mode of "zen meditation" and the mood of zen timing.The second part of this section explores the "artistic conception"characteristic of feng zikai's comic works under the state of "insulation".The second verse of this chapter is "the childish mind".First of all,this section elaborates that fengzikai's "childlike innocence theory" is the same as Buddhism's "sincerity" and "pure heart".In addition,this section explores feng zikai's use of "childish heart" to draw nature,the painting shows the characteristics of "divine charm".Finally,through comparison,this section explores the similarities and differences between feng zikai's theory of childishness and li zhi's theory of childishness.The third chapter discusses feng zikai's view and practice of art education under buddhist view.Feng zikai advocated "the combination of aesthetic education and religion" and believed that aesthetic education had something in common with religion.CAI yuanpei,on the other hand,advocates "replacing religion with aesthetic education".This section discusses the similarities and differences between the two through comparison.In addition,this section demonstrates feng zikai's idea of "combining aesthetic education with religion" by using an example of "collection of paintings of protecting life".In addition,feng zikai in art education also pay attention to the"common" art education,so in this chapter also explores the feng zikai's concept of "civilian" in music and art education both in the field of performance,and feng zikai "civilian" education thoughts and buddhist thought.The conclusion summarizes the relationship between feng zikai's buddhist thought and art,that is,feng zikai draws on the thinking methods and principles of Buddhism and applies them to literary theory and art practice.At the same time,the conclusion points out that feng zikai is a wise faith rather than a superstitious belief in Buddhism.