The Feminist Interpretation Of The Biographical Heroine TV Series

In January 2000,the American Dialect Society held a selection of "century texts".In the finals,"She" defeated "Science" with 35 to 27 votes,thus becoming "the most important word in the century." As a result,the 21st century is also known as "her century"."She Century" means that women have received much attention in this century,and women's social status,living conditions,personal rights,and social image have increasingly become the focus of society,especially the mass media.As one of the most widely spread forms of mass media,TV dramas influence people's values through the shaping of characters,expressions,and behaviors,and provide viewers with a direct or extended stylized experience through stories.Since 2010,a series of television dramas featuring self-esteem and self-respecting female characters have appeared on television screens.The "Tuo Biography" has become a popular drama in 2012.After that,the number of these dramas has continued to rise,and the reputation has been increasing.The ratings have continued to rise.In 2017,the drama was defined as "big female drama".Although there is not a single definition for the "big female drama" at present,the "big female drama" on TV screens from 2017 to 2018 will continue to occupy the screen and cause an upsurge of ratings."The big female drama" is characterized by the female image of self-esteem and self-empowerment.Its story focuses on women's personal growth and struggle,and reflects women's wishes and ideals.What kind of cultural connotation is reflected in the creation of female figures by the big female opera?What kind of gender concept is embodied in the shaping of female images?Can big female dramas express women's consciousness and the enhancement of their status?How does it reflect gender on us?Based on the considerations of these issues,this article will use feminism as the subject of biographical female drama.This paper is divided into five parts:The first part of the introduction mainly introduces the research origin,research status and research methods of this paper.The second part introduces the main actress,grasping from the three aspects of the definition,development,and popularity of the big female drama,and on this basis leads to the biographical female master drama.The third part analyzes the gender consciousness reflected in the shaping of characters' images.From the protagonist's historical prototype and the construction of film and television images,and the image construction of supporting characters,they begin to discuss three aspects,focusing on the analysis of the gender concepts and cultural concepts behind the image.In the fourth part,starting from the narrative mode of the big female operas,we analyzed how women's persecution against women and men's rescue of women reflected the patriarchal awareness and reinforced women's stereotypes.When women are powerful,men's anxiety is subtly resolved.,and the causes of contradictions in gender concepts.In the fifth part,starting from the workplace elements of the big female operas,this paper analyzes how these plays embody women's workplace anxiety and personal emotional anxiety.How big female host dramas make women's modern anxiety relieved.The conclusion part points out that the female major operas to a certain extent,through the struggle of women,reflect the women's values and personal ideals and desires,but at the same time it still continues the traditional gender concept,and the patriarchal culture still exists behind the female image.It just became more covert.