Research On Japanese Mystery Films Since The New Century

Judging from the scope of the world movie,reasoning films,as a new style developed on the basis of detective films,are widely sought after by the public because of their meticulous logical thinking,repetitive and protracted plots,and unpredictable image styles.More importantly,the reasoning films are more direct and shocking than other types of films in terms of revealing the good and evil of human nature,revealing the subtlety and ambiguity of the individual,mapping the social reality and the status quo of the nation.In the golden era of contemporary cinema,Japan's reasoning films rooted in Japanese regional culture and nationality,whether it is the coverage of thematic dimension,the breakthrough of narrative logic,or the expression of the image style,the director's individual will,are all in the world.Reasoning films are unique.This article will dig deeper into the humanistic implications and imagery styles that Japanese reasoning films represent based on the analysis of Japanese national cultural psychology and current social status and people's living conditions,summarizing their positive ideological values and existing problems.The development of the current reasoning film provides a useful reference.The introduction mainly defines the concept of Japanese reasoning films,systematically sorts out the research background and research significance of Japanese reasoning films,and gives a brief overview of the development track of Japanese imagery.The first chapter mainly elaborates and examines the Japanese reasoning films since the new century.The first section combs the origins and development of the Japanese reasoning film,thus exploring the reasons for the rise of the Japanese reasoning film.The second section analyzes and determines the types and characteristics of the Japanese reasoning film.The second chapter explores the national cultural psychology of Japanese reasoning films since the new century from the perspective of social culture.The first section discusses the Japanese-style decadent loss and anxiety caused by the Japanese reasoning films in the new century.The second section mainly discusses theinfiltration and change of the consciousness of the “Chrysanthemum and the Knife” in Japanese reasoning films since the new century;Section 3 analyzes the "shame culture" embedded in the Japanese reasoning films since the new century.It analyzes and demonstrates the explicit and recessive personality of the Japanese nation,and reveals its internal reasons.The third chapter analyzes the artistic features of Japanese reasoning films from two perspectives: narrative perspective and image style.The first section mainly analyzes the perspectives of Japanese reasoning films from the perspective of the new century to clarify the selection features and aesthetic functions of its narrative perspective.Section 2 describes the narrative style of the Japanese reasoning films before the new century and the reasoning from the new century.Contrasting the changes in the style of images,the image styles of Japanese reasoning films in the new century have been summarized as sinking voltage regulation under alienation consciousness,horror in anxiety appeal,and warmth humor under optimism.The fourth chapter is based on the discussion of the first three chapters and summarizes the problems existing in Japanese reasoning films in the new century.The first section analyzes the cultural dilemma of the Japanese reasoning film from the perspective of the “other” since the new century;the second section elaborates the elements of the dilution of emotion in the Japanese reasoning film from the angle of film language and reception aesthetics;Section III explores the phenomenon of quality crisis and aesthetic fatigue induced by mass production in Japanese reasoning film since the new century from the perspective of the market.In the end,while confirming the positive influence of Japanese reasoning films in the new century,this article summarizes the reference significance to contemporary Chinese reasoning films.The author believes that current Chinese film types are mixed and the reasoning films are often combined with elements such as crimes and thrillers.The expression styles are diversified and become one of the videos with higher audience attention.However,in terms of film kernel expression,character setting,narrative style,and expression style,etc.,they are generally at the stage ofexploration,and further development is still needed.