Southern Literati In The Sui Dynasty Went Northward And Merged With North-south Literature

The integration of the north and south literature in the middle ages is the key to the evolution of literature in the wei,jin,southern and northern dynasties.This fusion has gone through a long and complex process.The sui dynasty,though short,is an important stage which cannot be ignored.In the sui dynasty,a large number of southern literati went to the north and played an important role in the integration of literature.The paper studies the process,validity and significance of the integration of the northern and southern literatures in the sui dynasty.The first chapter,expounds the historical orientation of the southern literati in the sui dynasty from the three dimensions of political environment,stratum movement and cultural integration.And the paper lists the main southern literati in the sui dynasty,reflecting the basic situation at that time.South of sui dynasty literati in the end the division,north unification era environment,from the social strata movement in the sui and tang dynasties showed the central chain,from the cultural integration tendency in southern dynasties,they are the southern literature and culture at that time.The second chapter mainly discusses the fate of the southern literati.Sui wendi toward,adhere to the "standard" the guanzhong by emperor wen narrowly policy,on the strength of south crackdown,at the same time also to shandong literati holding out against,attitude,most scholars of the north south on sui wendi of the situation is not significant.There are basically four types.One is a group of southerners who entered the sui early.They are relatively integrated into the guan long region and Yang sui regime.The second is the south of the sui.Often,they are difficult,low status and difficult to survive.Thirdly,a large number of southern literati took refuge in the king,especially the wenshi of Yang guangfu,king of the jin dynasty.Fourth,a batch of arts and arts.By virtue of their own advantages,they ingratiate themselves with the habits of their rulers and seek their own careers.The four types reflect The Times of wen di in different aspects,and the difficulties of the southern literati and their fate.In the sui dynasty,emperor yangdi gradually broke through his father's narrow customs and adopted the policy of the south,and a large number of important southerners.The fate and status of the southern literati were reversed,such as yu shiji and pei yun,who entered the ruling core group of Yang emperor.The change of the living conditions and social political status of the north and south scholars will have an important influence on the process and validity of the integration of the northern and southern literature.In the third chapter,the author analyzed the poetry works of literati and shandong literati,and revealed the true situation of the southern literature.Into the situation and the change of mood,to the south on wen emperor of the literati's writing style,great changes have taken place in poems in more reveal the deep pain of national subjugation and strong correlation,different from the previous change period from bright tone.Investigate its reason,in addition to south people own mood changes,more important is suiwendi implements style reform,resist in colourful wind,and impose administrative and law intervening literature development,make the change from the poem in wen emperor once lost to the survival of the soil.The northern biography of southern literature suffered a serious setback in the first dynasty.But objectively,wen's literary style reform has a certain inhibitory effect on the spread of liangchen palace.The fourth chapter mainly discusses the literature integration of emperor Yang in sui dynasty.Under the influence of the southern policy of yang-ti,the southern dynasties were restored,and the writers were composed mainly of the southern literati,and the court literature became the mainstream.From the perspective of a yang-ti dynasty palace poetry responsory,change from the colourful wind has been reduced,the proportion of scenery description in poetry has greatly increased,gaudy diluted change court the creation of the ingredients.After the suppression of the emperor of sui dynasty and the return of emperor Yang to the sui dynasty,liang and chen Palace Poetry was gradually transformed into court poetry.In addition,there are obviously two different aesthetic qualities of Yang emperor's poetic style,namely "vigorous" and "soft yan",respectively reflecting the two different styles of culture in the north and the south.On the aesthetic of literature,Yang emperor advocated the aesthetics of the "classic",which actually came from the xiao tong.of southern liang dynasty.Yang-ti's own literary creation reflects the trend of the integration of literature in the north and south.At the end of the sui dynasty,the literature of the north and the south was still in a state of harmony without integration.However,after the two dynasties of wen di and Yang emperor,the integration of north and south literature was a wonderful preview,which provided many useful inspirations for the further integration of the literature of the early tang and the south.