An Analysis Of The Artistic Style Of Liang Kai's "The Story Of Eight Monks"

Liangkai was one of the greatest painters in the Southern Song Dynasty,he inherited the Tang,five Dynasties and other people on the basis of traditional painting,in the Song Dynasty Zen ideology,literati paimting trend of thought,under the influence of their unique talent,defiant personality,as well as the ingenious collection of the ability of the family to create a breakthrough in the traditional,unconventional by the"complex "To reduce",from "pen" to "ink" is full of pen and charm of character image.Liang's superb achievements in painting are not created overnight,apart from their own amazing talent,but also condensed Liang to the predecessors of the painting the essence of the profound interpretation and Koep,the Zen thought of the unique understanding sand experience of their own subjective charm of the bold expression and innovation.The purpose of this paper is to discuss the artistic style of the story map of eight eminent monks,Liang first of all,through the composition of the eight works,strokes,lines,colors,layout and other artistic language analysis,to explore the "eight eminent Monks story map" in Liang from Seiko agents to reduce the ink in the excessive effect can not be ignored.Second,through will Liang "eight eminent Monks story map" and the Han Dynasty to the Song Dynasty during the character story painting,the Lohantu of the Song Dynasty,and the works of Liang before and after the longitudinal horizontal contrast,to show the perfect composition of the Liang landscape and characters,the scene of the characters and landscape of the innovative treatment,on the "back to the People" The cut-scene characters reveal a clear charm of the amazing manipulation of the processing and the Liang in the late pen-ink to large freehand brushwork painting process of transformation.Third,through Liang "eight eminent Monks story map.and the middle and late painting works to the Ming and Qing painter's influence to briefly explain the Ming and Qing painters to his works in the refine,mastery of the inheritance and development.Finally,through the "Eight Monks story map" on my own creative influence to clarify the painter is good at inheriting the essence of the predecessors,a deep understanding of the background,the courage to break through the traditional shackles,and set the family longer than a meticulous bold,stable in the importance of change.Through contrasting Liang's "Tingjian Sutra","Eight eminent Monks story map" to "the ink-splash Immortal Map" Of all works,feelings from the inheritance of Daozi,Li Ganglin neat delicate to the break,Shi,and then to combine the Southern Song Dynasty,"Horse One corner,summer half" of the section of the scene,and then create the scene and the combination of the characters of the scene layout of the art works,And on the basis of the formation of "flash" as simple as the rate of "pen" to completely abandon the scene,splash-ink large freehand brushwork of the sonnets.In this series of changes,seemingly horizontal painting vertical wipe,the Liang of the portrayal behind the cohesion of the traditional awe,the performance of the characters skillful,detailed portrayal of excellence,the collection of the long and innovative courage.The innovation of this paper lies in the contrast of the painting art language of the eight works of the Liang "eight eminent Monks story map",so that we have a deeper understanding of the "Eight Monks.