The Interpretation Of Chinese Lesbian Movies From The Perspective Of Cultural Studies

On May 24,2017,China's Taiwan officially became the first"same-sex marriage legalization" region in Asia.The homosexuality issue has once again returned to the public's perspective and has caused heated discussions.With the continuous development of the human civilization process,homosexuality as a realistic emotional model has been gradually known,and the film and television texts based on this group have also continued to emerge.However,compared to gay men,there are many concerns about gay men and women.The presentation is somewhat neglected and biased.The first part of this study first introduced the background of the homosexuality's actual existence,and then explained the relationship between film and social reality,and selected the lesbian films with iconic nodes in the history of homosexual film in the world.In the second part,through the combing of Chinese-language lesbian films,including Hong Kong,China,Taiwan,China and other regions in China,according to the content evolution and shooting strategy,the characteristics of film and television texts in different regions are summarized;The third and fourth parts are the focus of this paper.The third chapter is based on the perspective of cultural studies.The next three subsections guide theories of psychoanalytic theory,the mode of gaze,and the struggle for power based on structuralism,postmodernism,and post-anthropology.The content of the text strives to profoundly analyze the cultural logic and ideological struggle behind the Chinese-language lesbian films,revealing how the father/male authority and heterosexual hegemony operate and legalize internalization as nature;The fourth part innovatively uses the Python programming language to establish a sentiment lexicon for emotional assessment,and incorporates audience feedback into the research system.This compensates for the shortcomings of communicators-one-way movie discussion,broadens the inspection threshold,and obtains Scientific,strong data support;The fifth part is based on the first two chapters.It analyzes the cultural connotation and power construction of the metaphors in Chinese lesbian films,and analyzes the difficulties they face and their prospects.