Reflections On The Localization Of "bel Canto"

The development of any art form is based on the background of social culture(That is: politics,religion,economy,culture and so on).After the reform and opening up,the vocal art form of “bel canto” has entered a period of all-round development in China.The "bel canto" singers,developed by our own teachers,are gradually emerging on the international stage.In the 10 th "Rio DE janeiro" international vocal music competition in 1981,on behalf of our country contestant ye ying,liu jie together to achieve the third prize.In the second "novara" international vocal music competition in 1983,our country representative luo wei once again achieved excellent results.With the development of society,and the deepening of national reform,China's music culture has also been steadily developed.Nevertheless,the popularity of music culture mainly focuses on the traditional national music and popular music,this also causes the "bel canto" to develop at home to a bottleneck period.Only by analyzing and thinking objectively about the current development of bel canto,to be able to see clearly how the future of singing is going to go.The literature review and analysis of the literature,found that the research on "bel canto" in China is based on "the development of bel canto in China after the reform and opening up",however,there seems to be little research on how to continue and develop the bel canto in our country.As one of the important forms of vocal music art,"bel canto",How to combine with traditional Chinese national culture and art?It is from this perspective that this paper is thinking and writing,I believe that the exploration and research of this topic is of great significance to me and many scholars of bel canto.