A Study On The Dance Theory Of "Harmony" In "Le Lu Quan Shu"

The inheritance and nationality of national culture originate from the continuation of the unique thinking and concept of the nation.As an important carrier of national culture,dance is deeply influenced by thoughts and concepts.Under the mainstream of the promotion of traditional culture in the new era,the related works of Chinese traditional dance and ancient dance culture have risen rapidly.The theoretical layer corresponding to practice is relatively lagging behind.This article takes the inherent "harmony" spirit of Chinese traditional culture as the origin,and combs and analyzes the dance speech and dance spectrum images,This article takes the inherent"harmony" spirit of Chinese traditional culture as the origin,which combs and analyzes the dance speech and dance spectrum images in "The Book of Music" under the principle of subjective rationality of "harmony",with the philosophy of "harmony" Dialectical thinking is the guide,taking Zhu Zaiyu's ideology system and dance and academic speech as a reference,and dividing the part of the book's dance school into: "the mind and body" view of "the gods and the people"and the "everyone" view of "ruling their own people" And the "Faith Heaven and Earth" of the"Heaven and Man View" three parts,as the main body of the article.Each part is based on the"harmony" concept in the Chinese philosophy and art theory in the four aspects of attributes,laws,aesthetics,principles,and to demonstrate the "learning" in the "Legal Book" in the dance "and blood","self-cultivation" "and "trees and morals" function.In the research method,we draw on the thinking modes of "easy learning","Confucianism" and "Chinese medicine",and take the"image" thinking and "easy" thinking shared by the three "studies" as the observation,and the dance in "The Complete Book of Music" Carry out rational reconstruction,in the process of practice,reflect on the development of traditional Chinese dance culture and put forward some viewpoints of thinking and reference value.This paper consists of an introduction and three main chapters.The introduction gives a brief overview of the origin,research status and research methods of this paper.Chapter one defines the core words in the article,mainly describing the related concepts and defining the scope of the study.The second chapter is the main body of the article.It analyses the three views of "harmony" in <Complete Book of Temperament>> from the attributes,laws,aesthetics and principles of "harmony".Chapter three is the discussion of the function orientation of Dance Studies in the Book of Music and Rhythm.It mainly discusses three aspects: the function embodiment,the reason method and the thinking of the current dance research.The author hopes that through the exploration of this research institute,it can provide relevant reference for the current study of ancient Chinese dance theory and practice.