Linquan's Heart-Li Tang's "Jiangshan Xiaojing" Pen And Ink Presentation And Landscape Painting Creation Research

From the Five Dynasties to the Northern Song Dynasty,the panoramic pattern of Chinese landscape painting developed unprecedentedly and became highly mature.However,in the Southern Song Dynasty,"Liu Li Maxia" changed the panoramic pattern of Chinese landscape painting and formed a unique style of the era of "Side Point View".In the early period of Li Tang,he mainly studied Fan Kuan.From Fan Kuan's brush-and-ink method and the sense of weight of mountains and rocks,we can see the connection between them and Li Tang's "Wangu Songfeng Map"(now hidden in the Palace Museum of Taipei),but they also have the difference of mountain-and-stone method.From the existing works,I think that Li Tang is more changeable,from "Wan Gu Song Feng Tu" to "Jiangshan Xiaojing","Chang Xia Jiangsi","Qingxi Fishing Hidden",all need to be analyzed and studied,and then integrated into my own landscape painting creation.Li Tang was loved by Huizong in the Northern Song Dynasty.He was one of the earliest painters who returned to the Painting Academy after his journey to the South and eventually became the leader of the Painting Academy in the early Southern Song Dynasty.As a connecting artist,he dominated the painting style of Southern Song Dynasty.His axe-chopping method changed from "dry pen" to "wet pen",and a large number of blanks appeared in the composition gradually.Whether in the method of landscape inscription or in the form of composition,it undoubtedly exerted great influence on Xiaozhao,Ma Yuan,Xiagui,Wu Wei,Dai Jin,Lan Ying of Zhejiang School,Tang Yin,one of the four schools of Wumen in the Southern Song Dynasty.Huang Junbi,one of the "three families crossing the sea",is also the bearer of the axe-splitting method in modern times.Furthermore,Zhang Daqian and Xie Zhiliu,on the basis of inheriting the landscape paintings of Song Dynasty,made bold innovations and attempts in the integration of ink and color,such as splashing ink,splashing colors,falling ink,etc.,to express the natural mountains and rivers vividly,using ancient people's pen and ink to transport the natural hills,which also attracted the author.Starting from the process of copying and learning Li Tang's ?Xiaojing Jiangshan ?this paper analyses and summarizes Li Tang's pen-and-ink method,composition and color-setting skills,and then combines the evolution of Li Tang's axe-splitting with the development and innovation of the axe-splitting of painters in past dynasties.In addition to his own sketch experience,theory combined with practice,from practice to re-understanding,landscape painting creation in the exploration of gradually clear ideas,and ultimately to complete the work.