"The Eighth Five-Year Art Trend" Explains The Theme Of Life

The "eighth five-year Art trend" is a very important and far-reaching trend of thought among all kinds of art phenomena in contemporary China.During this period,artists spontaneously organized and set up many artistic groups,large and small.The southwest art group and the northern art group are two very important art groups.The main research object of this thesis is these two artistic groups,their artistic creation goal is to express the thinking and understanding about life,"living state",and so on,and their artistic creation aim is to express the thinking and understanding about life and "living state".But there are two different forms of expression: one is in a restless and manic way full of energy and passion,and the other is full of silence.A restricted way of sublime and cold silence.These two choices were made under the influence of Western philosophy and aesthetics,and these artists absorbed and digested these theories in the process of explaining their thinking about the nature and meaning of life.This paper focuses on the analysis of the main points of view of these theories and the two art groups to their reference and absorption.This paper is divided into four chapters: in the first chapter,it mainly discusses the succession of the eighth five-year Art New trend to the western culture,and the background of its birth;The second chapter discusses why life becomes the common theme of the eighth five-year art trend and the western modern irrational trend of thought.The third chapter and the fourth chapter respectively analyze and sum up the new art of the eighth five-year plan.The theoretical origin and artistic creation of the art groups in the middle and southwest of China and the north of China are analyzed in Tide,focusing on the artist's thinking and interpretation of the theme of life: Mao Xuhui believes that "sex" is the core of life,and that "sex" is the core of life.Experience the existence of life with a strong desire for love;Zhang Xiaogang defended life and soul with a shocking tragic force and proved the meaning of existence with a brush.Pan Dehai used "Bracula Valley" as the aesthetic image of life body to analyze life,thought that life was an all-inclusive formula,Shu Qun used "cross" and "church" to symbolize his consciousness of salvation;Wang Guangyi's re-interpretation of Western Classical paintings Ren Jian combined western classical reason with Chinese traditional Taoist thought,which gave birth to his understanding of the universe and life.Feeling life,expressing life,this is one of the themes that artists in southwest art group and north art group think and express.