The Tragic Research Of Zhang Yimou's Movies

The charm of tragedy lies in the ability to bring emotional and spiritual purification to the audience.The tragedy originating from the ancient Greek goddess sacrifice is the highest form of dramatic art.With the extension and extension ot the art of drama,film and television has become a new expression of drama.In the creation of modern film and television,there is no lack of tragic tilm creation.Zhang Yimou is one of the directors who are keen on filming tragedy movies.Since he worked as a film director,he has filmed many movies with strong tragic meaning.These films not only lay the loundations.Zhang Yimou's artistic achievements also promoted the development of the Chinese film industry.This thesis focuses on the tragic films in Zhang Yimou's flms,including Zhang Yimou's"Red Sorghum","Red Lanterns High Hanging",MJu Dou","Live”,"Return" and "Shadow".Through the meticulous observation of these films,combined with the theoretical knowledge of tragic theory and film narrative,the paper analyzes the tragic nature of Zhang Yimou's films through the use of research methods such as literature analysis,text analysis,and interdisciplinary analysis.Image presentation,personality characteristics and their causes,thus comprehensively analyzing the creation of Zhang Yimou's tragic film,and excavating Zhang Yimou's tragedy film localization method to find out the national characteristics of Zhang Yimou's film.The main body of this paper is divided into five chapters:The first chapter is the tragic overview of Zhang Yimou's film.This part is mainly based on Zhang Yimou's overall analysis of the films he created since the film was created and summed up the tragic highlights in his films.The second chapter is the tragic time and space setting ot Zhang Yimou's film.This part mainly analyzes the textual and spatial construction of Zhang Yimou's tragic film through the display of Zhang Yimou's tragic tulm.Iin particular,his tulm's Tragedy is mainly constructed under the time and space of the feudal family in the old China,the feudal dynasty with high power,and the underlying society in a special period.The third chapter is the tragic character shaping of Zhang Yimou's film.Through the grasp of the text,the tragic characters in Zhang Yimou's films are classified and the tragic origins of their characters are analyzed.The characters in his tragic films are mainly the oppressors of feudal ethics,the enslaved persons of their own character,the shackles of special times,and the victims of the countries in distress.Their tragic roots are mainly human beings.Social conflicts and conflicts between people and oneself.The fourth chapter is the tragic artistic expression of Zhang Yimou's film.This part focuses on the analysis of film and television narrative,combined with the theory of tragedy and the narrative of film and television,specifically through the narrative strategy of its tragic plot,the setting of tragic space under the lens,the color and the tragedy of the cooperation of music and painting.The analysis of sexual effects and other aspects explores the tragic internal and external connections of Zhang Yimou's films.The fifth chapter is the tragic personality of Zhang Yimou's film.This part mainly grasps Zhang Yimou's film from a macro perspeetive,sums up the tragic personal characteristies of Zhang Yimou's film and its reasons.The theme of the constant promotion of the subject value and the selection of the theme in history and society are the characteristics of its tragic film.The creation of Zhang Yimou's tragic film reflects Zhang Yimou's tragic thoughts,and his tragic thought is a mapping of his life,which has a great relationship with his personal growth experience and artistic preferences.