Research On The Influence Of Chinese Traditional Creation Thoughts On Contemporary Lacquer Art

As the theoretical support of China's traditional creation-making activities,ancient Chinese creation-making thought plays a decisive role in both ancient vessel making activities and contemporary handicraft creation.China's ancient creationism has been in the same line.No matter in any era or in any background,it has never deviated from the central idea of "harmony",which is also the ultimate criterion of influencing Chinese people to act.Lacquer art,as a traditional art form,has been accompanied by the development history of Chinese civilization so far,among which the guiding and supporting role of creation-creation thought is one of the important factors that make lacquer art stand firm in the historical trend.Under the premise of "harmony",the concepts such as "dao qi guan","the doctrine of the mean" and "being and nothing",which are derived from the discussion on the physical and metaphysical connection of objects,are part of the Chinese traditional creational thought that has an important influence on lacquer.Under the contemporary art environment,the lacquer art within the scope of arts and crafts is more inclusive and changeable.The implicative and steady uniqueness of lacquer language is quite consistent with the profound cultural background of Chinese people.Therefore,under the Chinese traditional culture background the creation thought to the lacquer art influence is also imperceptible.As far as contemporary lacquer art is concerned,Chinese traditional creationism is part of the motivation of the author's creation,and it also influences the form and appearance of the works.It is an important factor that makes contemporary Chinese lacquer art different from other countries' lacquer art and other art categories in terms of style.