Spatial Representation In Contemporary Lacquer Painting Creation

Chinese lacquer painting was produced in the 1960 s.After the reform and opening up,with the great change of the social environment,the traditional lacquer craft is in urgent need of finding a new development direction.Under the influence of modernist art trend,Chinese modern lacquer painting came into being,and it was not until the 1980 s that lacquer painting was formally included in art exhibitions as an independent painting,which opened a new process of lacquer art.It inherited the traditional techniques,and from the original decoration,practicality into the pure art field,with the "painting" and "craft" of the double form of expression.In the development of lacquer painting for decades,lacquer painting not only shows the characteristics of its own material language,but also integrates the forms of other painting languages.In lacquer painting,the construction and expression of space is also an important part.In many lacquer paintings,we can vaguely see the integration of the western concept of space expression and the shadow of the traditional Chinese painting space expression.With the innovation of contemporary cultural context and artistic concept,the physical nature of lacquer as a natural object also makes artists reassess the relationship between lacquer and painting,as well as the expression of lacquer as a material existence and space.The characteristic of lacquer also is the important factor that affects lacquer painting space expression,big lacquer medium material is different from other painting material,its craft sex,comprehensiveness and limitation not only affected the means that the artist creates or form,also became one of the factors that affects space expression.Last is about the content of the personal creation and practice,starting from inadvertently found space contact life,gradually pay attention to the side of the relationship between space and public affairs,they are random in the humble position,or contact the everyday things they did not close,I answers from them in the work of the space,the paint as a language,they are present in the picture,to show in front of the viewer.Another group is tentative,intentions compression or overlapping space,to create a visual space feeling,in the actual construction of the subjective construction space,with the simple grey,shorten the perspective of space and light processing images,not the pursuit of the threedimensional illusion space,because the dimensional feeling of three-dimensional building itself is sufficient,but hope to be able to in the two-dimensional images,put it in another way,make images of the space has more painting and personal feelings,present the expression of lacquer painting space diversity.