| Intangible cultural heritage is an important link between our nation's "shared memory" and a source of common infiltration and intertwined the entire national temperament.The documentary's role in the inheritance of non-legacy culture is self-evident.Due to the rapid development of science and technology,the film and television production industry has brought about repeated hardware and software updates and conceptual changes,but these upgraded attributes are more used.The production of feature films was ignored in the documentary industry.Since November 1997,after the adoption of the resolution on non-legacy by UNESCO,China has gradually established a systematic work on the protection of intangibles in 2004-2011.With the introduction of official policies and policies,the academic research on non-legacy has gradually Warming up,non-legacy research has become a rare research topic in recent years with many hot spots,rapid heating,many disciplines,and many angles.The existing theoretical researches are discussed from the aspects of non-legacy documentary dissemination,creation,culture,production,protection and development.For the study of non-legacy documentary creation strategies,there are still less specialized works or works,most of which are scattered in other directions.In the article or opinion.In order to fill the lack of research on the creative strategy of the non-legacy documentary,this paper tries to combine the theory with the practice based on the research results of the predecessors,and tries to comprehensively,systematically and scientifically clarify the creative strategy of the non-legacy documentary.In order to provide corresponding theoretical guidance for the creation of non-legacy documentaries.In the introduction part,there are three parts: the meaning and purpose of the topic,the research status and the research method.In the meaning and purpose of the topic,the background of the topic and the appeals to be achieved are mainly explained.In the current research situation,the existing researches are sorted out according to the aspects of non-legacy documentary communication,creation,culture,production,protection and development,and the current research status of non-legacy documentaries is clarified.The first chapter and the second chapter mainly describe the historical changes and contemporary status of non-legacy documentaries.The first chapter summarizes and sorts out the non-legacy documentaries since 1900,and divides them into six development stages,and interprets and analyzes them separately,sorting out the development context of the subject documentary since its birth.The second chapter describes the non-legacy and non-legacy documentaries in the contemporary perspective,analyzes the status quo and attempts to propose solutions based on this.The key parts of this paper are Chapters 3,4,and 5.These three chapters discuss the creative strategies of non-legacy documentaries from three aspects: narrative strategy,production strategy and communication strategy.In the narrative strategy,it mainly discusses the narrative "story" and the content "archivization",and strives to solve the shortcomings of the narrative and content of the non-legacy documentary at this stage;in the production strategy,it mainly focuses on the industrialization of non-legacy documentary production."Discussing with the "parallelization" of the soundscape,and striving to solve the problem of isolated and thin space of the non-legacy documentary at this stage;in the communication strategy,it mainly discusses the "dividing" and "feedback" creations,and strives to solve At this stage,the mode of communication of one-way communication is to reverse the creation of non-legacy documentaries through the study of audience and audience.In the sixth chapter,we mainly look at the inheritance and dissemination of non-legacy culture from the perspective of media integration.Non-genetic inheritance is not exclusive to any kind of media.Each medium has its own unique media characteristics and plays every medium.The advantages of each other,complement each other's disadvantages,and realize the all-round communication and inheritance of non-legacy culture.In the existing papers on the non-legacy documentary,the analysis and discussion on the dissemination,culture,narrative,video,production,protection and development of non-legacy documentaries are very important.There are few papers involved.This thesis wants to make some new possibilities and ideas on the production of non-legacy documentaries,combining the research results of the predecessors and the experience in the author's practice,aiming at throwing bricks and welcoming the jade with the majority of creators.Spread and inheritance add a firewood.The innovations of this paper are mainly in:1.The non-legacy documentary narrative "story" reshapes the "real problem." Breaking through the rigorous but one-sided appeal of “surface truth” from the early stage of documentary development to the era of documentary aesthetics,using modern production techniques and creative thinking to pursue “essential reality” and “aesthetic reality”,the creation is both good-looking and non-satisfactory.Documentary on the subject matter;2.The non-legacy documentary soundscape “panoramic” creates an “organic” space.Breaking through the isolated and monotonous thin space presented by the existing documentary,and using the integrated soundscape design to restore the organic and rich “big space” of non-legacy culture;3.The non-legacy documentary film establishes the "two-way transmission" mode of communication,and carries out "dividing" and "feedback" creation.Breaking through the current status of the separation of existing non-legacy subject records,increasing audience participation,and effectively disseminating non-legacy culture;4.The content of the non-legacy documentary "archive" helps the non-legacy culture to "digitally retain".Improve the cooperation between non-legacy documentary creation team and non-legacy cultural research institutions,integrate non-legacy cultural dynamic resources,and promote the digital retention process of non-legacy culture. |
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