Discuss The Method Of Generating A Series Of Pictures In The Narrative Of Long Scroll Figure Paintings

This paper takes the long-volume figure painting as the research object,and makes a thorough discussion on the method of its narrative generation of serial pictures.This paper outlines the historical context of the long-volume figure painting and its viewing methods and narrative,and then summarizes the three narrative modes of the long-volume figure painting: image array,serial picture and news recording.In the chapter of narration of classical works of long-volume figure painting and Discussion on the generation of serial pictures,the general situation of works,narrative mode and the generation of serial pictures are discussed with examples of the classical long-volume figure painting "Tampering Picture" and "Luoshen Fu Picture".As an important narrative means of long-volume figure painting,the method of creating serial pictures has theoretical guiding significance.After summarizing,it is found that furniture plays a role in dividing the space cohesion picture in the narrative of long-volume figure painting.The furniture in Han Xizai’s Banquet Picture is the most typical case,especially the use of screen plays a role in dividing the space cohesion picture.The protagonist has repeatedly appeared in important narrative pictures and played the role of linking up the theme with the appearance of supporting roles,which has been verified in many long-volume figure paintings.As an important means of time and space narrative,the method of time and space guidance with visual orientation has also become one of the common methods in the creation of ancient and modern figure paintings;the brick and stone portraits in the late Eastern Han Dynasty and the long-volume figure paintings in the Wei and Jin Dynasties often use the inscription as a supplement to highlight the theme of the picture;the Tang Dynasty painter Zhou Fang is best at using symbolic techniques to depict the long-volume figure paintings with the theme of grievance of the PAL The last chapter is also the chapter of this paper which focuses on the discussion and practice.I use Yanzi comic strip to analyze the creation practice and theory of the method of creating the comic strip by narrating the long-volume figure painting,and the source of its subject matter has certain practical significance.