Research On Shostakovich's "Eleventh Symphony (1905)"

This article selects the Soviet composer Dmitri Dmitrievich Shostakovich:in the late writing career first symphony "symphony no.11(1905)" as the main research object,the theme,structure approach;as the main breakthrough point,by the late shostakovich symphony creation as an extension,strive for a detailed interpretation on the eleventh symphony,can further perspective of shostakovich symphony creation.The main content of this paper consists of four chapters:The first chapter discusses shostakovich's life and symphony creation background.On the basis of understanding shostakovich's life and the general situation of fifteen symphonic works,this paper probes into the creation characteristics of the eleventh symphony,so as to gain a full understanding of the works.The second chapter is the analysis of the theme of the eleventh symphony.Due to the frequent citation and original theme in the whole work,this is the way that shostakovich's symphony works have never appeared before,and thus has become the distinctive feature of the eleventh symphony.Through the analysis of the theme form and the presentation between the two themes,this paper explores the author's special treatment of the theme and the interpretation of his creative ideas.The third chapter is an analysis of the structure of the eleventh symphony.Through the analysis of the single-chapter and structural principle of the whole work,this paper explores the inheritance and innovation of tradition in the form of structure,and then probes into the influence in the late period.The fourth chapter is the description and aesthetic concept of the eleventh symphony.Through the analysis of music technique,this paper discusses the influence of film creation on the eleventh symphony and the aesthetic concept in music.The conclusion is through the "eleventh symphony" creation technique and the work spirit direction,looks in the late symphony creation style transformation function.