An Analysis Of The Characteristics And Performance Of Cantonese Music In The Zheng Song "The Bells Of The Zen Academy"

In the context of different times and cultures,there are different music schools in such a multi-ethnic country as China.Cantonese music,also known as "Guangdong music",is one of the three artistic treasures of Lingnan and has a decisive position and influence in the development history of Chinese culture and art.It has smooth and graceful melody and clear and lively rhythm,which not only has the charm of traditional Chinese folk music,but also has the strong local color and the flavor of the times in the south.The composer of The Bell of Zen Court is Cui Weilin,a Cantonese musician and composer.It was adapted into Zheng music in 1985.There are seven lines in traditional Cantonese music,that is,seven tones,each of which forms seven modes.Among them,"B Inverse Tune" is one of the characteristics of this music,which portrays and expresses a kind of reclusive music image for this music,which is deeply touching and refreshing.Performers should pay attention to the combination of emotional grasp and technical expression when performing the music "The Bell of Zen Court" in order to bring audiences into the artistic conception of the work from both auditory and visual perspectives.