A Study Of The Female Survival Narrative In The Original Script "The Outsider" From The Perspective Of Semiotics

This paper takes the personal original movie script Outsider as the research object,and tries to explain the artistic value of the work comprehensively and deeply from the three dimensions of semiotics,psychoanalysis and philosophical culture on the basis of the clear presentation of the creative conception and artistic style of the work,focusing particularly on the situation of "absence of presence" faced by women in the social changes and Cultural philosophy behind the workThis paper is divided into five parts.The first chapter is the introduction,which mainly introduces the background and significance of the topic selection,current research situation,research methods and main innovations.Research status and research methods are analyzed from two aspects of creation and interpretation of works.The greatest innovation of this paper is the combination of problem consciousness and philosophical consciousness.The original script and:interpretation of works reflect the concern for women's survival on the vertical and horizontal axis of historical culture and social era.The second chapter explains the creative ideas of the original script and the gender care in the symbolic narrative.This paper expounds the creative process from three dimensions:the source of inspiration,the establishment of the theme of "absence of presence'" of women and the realistic restoration of artistic images.It further points out that symbols are the visual rhetoric of shaping "space"in narration and the visual presentation of women's living space in works.It also analyses the meaning generation and gender identity in symbolic narration with the play Outsider.Chapter three explains the special meaning of symbolic metaphor in Outsiders from the perspective of semiotics.The typical symbols in the works are divided into visual symbols,auditory symbols and space-time symbols,and the meanings of each kind of symbols in the specific living context are interpreted and analyzed.The signifiers of each kind of symbols have a common direction,that is,the theme of female absence.Chapter Four explains the lack of female subjects in the play Outsiders from the perspective of psychoanalysis.This chapter mainly discusses the gender relationship,women's free choice and the legalization of gender culture concept by using Freud's"unconscious"(subconscious)theory and Jung's "collective unconscious" theory from two aspects of women's identity and existence,and further reveals the deep texture of women's plight.The fifth chapter makes philosophical and cultural thinking on the basis of the previous explanations,trying to find a way out for women to get rid of the predicament,so that women can be redeemed from the spiritual and spiritual level.In this chapter,the author considers the essence of the three pairs of relationships between women and self,women and others,women and fate from the perspective of existentialist philosophy,and seeks to deduce the glimmer of the plight of women's identity loss in the context of social culture-to live towards death.The conclusion is a summary and concise study of the whole thesis.It reiterates the reality of women's "absence of presence" in the context of contemporary culture.It is clear that the thesis does not place women on the opposite side of male absolute significance to realize" female dominance",but calls for a fair space of practice to enhance the realistic care of artistic creation.In a word,this paper tries to explain the symbolic narrative and women's living situation of the original work The Outsider from the perspectives of semiotics,psychoanalysis and philosophical culture,so as to reveal the theme of "absence of presence" of women,hoping to continue the fire of concern for women's living situation in today's society and illuminate the way for women to return to their true selves.Although these attempts and explorations are difficult and limited in depth,in general,the author has made some innovative efforts.