| The period of the Republic of China(1912-1949)of the regular script,is a part of the Republic of China can not be ignored in the history of calligraphy,plays an important role in the history of the development of regular script.Under the joint influence of Stele Study and post study,regular script art in the Republic of China was splendid and famous scholars emerged in large numbers.During the period of the Republic of China,there were many calligraphers who were good at regular scripts.They enriched and promoted the development of regular scripts either by placard learning,or by stele learning,or by the combination of stele and plaque.At present,the research on regular script in the Republic of China is mainly focused on two types.One is the case study of a certain writer in the Republic of China,such as the master's thesis "Zheng Xiaoxu's regular script creation inquiry" by Cheng Liang of Shanghai Normal University and "Yu Youren's regular script analysis" published in Oriental Art magazine in 2013.The second is to study the calligraphy art of a certain calligrapher in the Republic of China,and to mention his regular script as one part of it.For example,the dissertation on Shen Yinmo's regular script in his master's thesis "On the Artistic Characteristics of Shen Yinmo's Calligraphy and His Calligraphy Theory" by Huo Yawen of Qufu Normal University,and the dissertation on Shen Yinmo's regular script from the perspective of the history of calligraphy are still very common.Therefore,this paper tries to stand in the perspective of the history of calligraphy,compare the development of regular scripts in other periods,analyze and summarize the characteristics and causes of regular scripts in the Republic of China,and discuss the influence of regular scripts in the Republic of China on my creation in combination with my own creation.According to the information and understanding of the regular script of the Republic ofChina,the author summarizes three characteristics of the regular script of the Republic of China,and analyses the three causes of the development of the regular script of the Republic of China.Whether it is the study of calligraphers or the style of calligraphy,in the final analysis,it is for a clearer understanding of calligraphy and understanding of calligraphy,so as to better serve the creation of calligraphy.Therefore,the Enlightenment of the style of regular script in the Republic of China to my regular script creation is also the focus of the article,and has made a detailed analysis from three aspects.One is to draw nutrition directly from the regular script works of the calligraphers of the Republic of China,and get inspiration from the stippling,structure and rules of one or several calligraphers;the other is to study the object of selection of the calligraphers of the Republic of China,to learn their learning process,and to better understand their works;the third and most important thing is not only to simply learn from the brushes and points of the calligraphers' works of the Republic of China.Painting and calligraphy,but in these behind the precipitation of profound learning,to restore their knowledge,for the learning process of calligraphy,standing in the overall perspective of this part of calligraphy.With these new perspectives and learning methods,the creation of postgraduate students has greatly improved compared with that of undergraduate students.But it must be admitted that there are still many areas to be improved in the creation,which also points out the direction for my future creation,and guides me to continue to explore new directions.Since the period of the Republic of China was only a short 37 years,all the writers listed in this article who had artistic creation in the period of the Republic of China were included in the discussion. |
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