Research On The Opera In Rugao Area In The Middle And Late Qing Dynasty

This thesis takes the opera activities in the Rugao area in the middle and late Qing Dynasty(1723-1911)as the research object,and comprehensively examines the drama creation and concept,drama performance groups,outstanding opera actors,opera performance venues,and drama communication and influence.The content of all aspects,in order to more comprehensively show the situation of the opera activities in the Rugao area in the middle and late Qing Dynasty.This thesis is divided into an introduction,a six-part text and a conclusion.The introduction part defines the geographical scope and time range of the research object,summarizes the relevant literature and historical research results of the opera activities in the Rugao area in the middle and late Qing Dynasty,and clarifies the research status of the topic and the possibility of further research.The first chapter is the background of the opera activities in the Rugao region in the middle and late Qing Dynasty.Firstly,it studies the overall trend of the development of opera in Rugao area in the middle and late Qing Dynasty from a macroscopic point of view,analyzes the mentality of the Qu family in this area during this period,and then studies the background of the opera activities in the Rugao region in the middle and late Qing Dynasty from the social and cultural aspects.The foundation for the study of the creation and performance of the singer has been laid.The second chapter is the life of the Qu family in the Ruzhong area in the middle and late Qing Dynasty.It mainly studies the family history,life history and friendship of the Rujia area in the middle and late Qing dynasty.It is clear that the opera activities of the Qujia area in the middle and late Qing dynasty are inseparable from their life and experience.The third chapter is the creation of opera and the concept of opera in Rugao area in the middle and late Qing Dynasty.Firstly,the author reviews the editions and the preservation of the operas in the Rugao region in the middle and late Qing Dynasty.Secondly,it studies the themes and themes of the operas in the Ruyi area in the middle and late Qing Dynasty.Finally,it studies the artistic features of the operas in the Ruyi area in the middle and late Qing Dynasty,and analyzes the songs.The characteristics of Binbai and explore the ideas of the songs conveyed among them.The fourth chapter is the main body of the opera performance in the Ruyi area in the middle and late Qing Dynasty.In the middle and late Qing dynasty,the opera performance groups in the Rugao area are divided into two categories: home class and folk professional troupe.The actor's situation,performance repertoire,etc.are studied in detail,and some actors who are not mentioned in the previous section are supplemented.The fifth chapter is the stage in the middle and late Qing Dynasty.The four categories of private parks,temples,tea gardens and grasslands have studied the basic situation of various stage in the Rugao area in the middle and late Qing Dynasty.The sixth chapter is the drama of the performances in the middle and late Qing Dynasty.The existence and development of different operas such as Kunqu,Huizhou,Peking Opera,Puppet Show,Tong Opera and Huagu Opera in the middle and late Qing Dynasty were discussed.The seventh chapter is the Qing opera in the middle and late Qing Dynasty.Firstly,the author discusses the operatic activities of the literati in the Ruyi area in the middle and late Qing Dynasty with the poetry of the opera,and then studies the interactions between the literati and the monks in this period,and finally studies the situation of the people in the Rugao area in the middle and late Qing Dynasty.Compare with other people's dramas in other regions.The eighth chapter is the dissemination and exchange of operas in Rugao area in the middle and late Qing Dynasty.Firstly,it analyzes the forms of drama communication and communication in Rugao area in the middle and late Qing Dynasty.It is based on the communication between the script and the performance.Then,the exchanges between Shifang and Shishang in the middle and late Qing dynasty are studied.In the end,the situation of the exchange and influence between the rivers and the other regions in the Qing Dynasty was analyzed.