A Comparative Study Of The Music Of Shadow Puppetry In Southern Liaoning (North School) And Eastern Ji

Shadow puppetry in southern liaoning province and shadow puppetry in eastern hebei province belong to the shadow puppetry in eastern hebei province(also known as luanzhou shadow puppetry).This paper studies the historical origin,growth soil,performance forms and other aspects of shadow puppetry in southern liaoning(northern school)and eastern hebei,laying a foundation for the comparative analysis of the key part of this paper--the music of shadow puppetry singing in the two places.Music analysis part,through to the similarities between the shadow puppet theater singing "word" and "song","music" in the "board" and "cavity" and "cavity" subjectivity in the singing is closely connected with auxiliary singing and singing accompanied the door part such as classification,sentence by sentence analysis step by step,from individual to general,from the general to the individual comparison and summary,aimed at on the music ontology description shadow play both the composition of singing,music is proved both shadow show the internal source of the link,and the plate cavity music structure for further thinking.The results show that,as a kind of single-voice opera,the "single-voice" of shadow puppetry in southern liaoning(northern school)and eastern hebei(eastern hebei)is manifested in the following aspects: all the singing styles are generated by the variations of gongdiao,and there is a close logic between the different "tunes",which is the relationship of "differentiation and reproduction".In terms of singing styles,it is shown as follows: sheng,Dan and jidong’s bleak style,which are based on gongdiao and the zhidiao style derived from gongdiao,and other auxiliary singing styles evolved from them,which is the relationship of "one continuous line".There is a relationship between the two groups of shadow puppets and their respective singing styles.Therefore,in music,the "cavity" is the core,and the "plate" is only how to change the cavity,the "sentence" is only how to break the cavity,the "tune" is only how to fix the cavity,and the "style" is only how to fill the cavity.The analysis of music in the lamellar cavity should return to the lamellar cavity music itself after all.