A Comparative Study Of The Art Forms Of Shadow Play In East Hebei And South Hebei

Shadow puppetry is an ancient traditional folk art form in our country.After thousands of years of development,it has gradually formed a variety of different regional styles.The shadow puppetry in eastern Hebei and the shadow puppetry in southern Hebei are the two major branches of Hebei Province.They are spread in the eastern and southern regions of Hebei Province respectively.The shadow puppetry in the two places belong to Hebei Province,but their art forms are obviously different.This article compares the modeling,performance,and singing of shadow puppetry in eastern Hebei and southern Hebei,and summarizes the similarities and differences between the various art forms of shadow puppetry in the two places,and promotes the cultural exchange and integration of shadow puppetry between the two places through research.Its artistic value.This article is divided into six chapters.The introduction part of the first chapter mainly clarifies the reason and significance of the research of this article,research methods,innovation points and the current research status at home and abroad.The second chapter,the historical origin and environment of shadow puppetry,expounds the historical origin of shadow puppetry in eastern and southern Hebei as well as the influence of different geographical and cultural environments on the development of shadow puppetry in these two places.The third chapter analyzes and compares the various modeling and manipulation techniques of shadow puppetry from the aspects of the overall modeling,local modeling,carving skills,the distribution and manipulation skills of the actors.The fourth chapter is the stylized word pattern and rhyme ruts of shadow puppet plays.It classifies and summarizes the themes of shadow puppet plays in the two places,analyzes the rhyme structure and rhyme ruts of shadow puppet plays,and then makes a comparison.The fifth chapter is about the diversified singing styles of shadow puppets.Firstly,it clarifies the types of singing modes of shadow puppets in the two places,analyzes the commonly used singing modes,summarizes the characteristics of each singing mode,and classifies and compares the board styles of shadow puppets in the two places.Secondly,the paper expounds the commonly used accompaniment instruments and qupai music of shadow puppetry in the two places,so as to analyze and compare them.The sixth chapter summarizes the current situation and protection of the cultural heritage of shadow puppetry.Through the analysis of the current situation of the shadow puppetry in the two places,it summarizes the difficulties faced by the development of the shadow puppetry in the two places,and puts forward corresponding protection measures to promote the inheritance and development of the shadow puppetry in the two places.