Discuss The Blank Of Lacquer Painting From The Perspective Of "Taoism" Thought

Cultural art and aesthetic conception of every nations are built under the basis of their own nation's traditional culture and philosophical thoughts.And the relationship between the two is inseparable.Due to the differences in the outlook on life of the universe as well as the local customs and practices,each nation has formed its distinctive art and aesthetic habits,and the painting art is no exception.It naturally contains the soul of Chinese culture if it is rooted in Chinese painting.Taoism,represented by Lao and Zhuang,is one of the mainstreams of traditional Chinese cultural thought.It advocates "the Tao and the law of nature" and "the unity of man and nature".His theory regards "Tao" as the highest truth in the world and as the highest state of aesthetic philosophy.It has formed the Chinese nation's unique aesthetic consciousness and concept of paying attention to verve,emphasizing artistic conception,seeking emptiness and perfection especially on the"mysterious and empty" discussion of the universe noumenon "Tao".The Chinese painting art full of Taoist culture is guided by the Taoist philosophical thought of "emptiness is the foundation of reality and reality is the use of emptiness".In addition to focusing on the pictorial reality,more attention is paid to the "balance"relationship between emotion and scene.virtual and real.And take the place without painting as the source of mystery,and focus on creating the scene of "the place without painting are all wonderful scenes","silence is more powerful than words",by using the freehand technic of intentional "white space" in the picture.Therefore,the artistic style of "white space" not only represents the cultural thought of Chinese painting art,but also is an important feature of the pursuit of "artistic beauty" in the aesthetic thought of the Chinese nation.Therefore,the "empty" of"white" occupies an important position in Chinese painting.The truth and meaning of paintings of "leaving leeway","pictures outside of paintings","the essence lying in the white space" should not be overlooked in the lacquer paintings.This paper attempts to interpret lacquer painting from the perspective of Laozhuang's ultimate cosmological view of "the combination of empty and Taoism",on the theoretical basis of Taoism's core idea of "Taoism and nature",and in the way of philosophical analysis of"noumenon,phenomenon and function" in a three-dimensional integration.Through Lao and Zhuang's interpretation of the truth that "all laws are one",the mysterious connotation of "indomitable and empty" is integrated into the element of lacquer painting "blank" in order to achieve the perfection of "combination of emotion and scene","connection between meaning and imagery","nature and men are one","objects and oneself are one".