The Study Of Dying Poems In The Early Tang Dynast

Mark Twain once said something just like this,"Death,the only immortal,who treats us alike,whose peace and refuge are for all.The soiled and the pure,the rich and the poor,the loved and the unloved".It is true that no one can escape from the law of birth,old age,illness and death.China is a country with a long history,which has been passed on from the death of one generation to the rebirth of another.The author aims to enrich our cognition of the ancients and death by analyzing the deathbed poems and writings before the Tang Dynasty,and deeply discussing the deathbed sentiment of the ancients and the relevant presentation carrier.In addition to the introduction and conclusion,the paper consists of three chapters.The first chapter gives an overview of the dying poems and writings before the Tang Dynasty.First of all,define the concept of "dying" to lay a foundation for the later.Secondly,this paper sorts out and analyzes the relevant articles related to end-of-life poems and prose before the Tang Dynasty,and finally summarizes and comments on the development and evolution of end-of-life poems and prose from the Pre-Qin dynasty to the Sui dynasty.In the process of sorting out,Pre-Tang Dynasty is mainly divided into three stages,namely Pre-Qin Dynasty,Qin and Han Dynasty,Wei,Jin,Southern and Northern Dynasties and Sui Dynasty,from which we can see that the dying poems before the Tang Dynasty experienced a change from deep simplicity to rich and abundant in both content and style.The first chapter as a general introduction,the purpose is tolnake necessary preparations for the following analysis.The second chapter probes into the collected text contents of the dying poems and dying essays before the Tang Dynasty,deeply analyzes and discusses the different emotions reflected in different types of poems and essays,and interprets their rich emotional connotations and profound implications.First,according to the key time direction in the content,the dying poems and dying texts are divided into three categories:recalling the past,feeling of the present and telling about the future.To be specific,the author's mentality under this theme in the past includes four aspects:no regrets,cynicism,mixed feelings and others.Under the theme of feelings of the present,the author's performance can be divided into three aspects:the regrets for people and things,the examination of death and the insistence on chastity and love.Thirdly,under the theme of future exhortation,the author's requirements mainly include two aspects;frugal burial,light burial and military and political replacement.In short,the contents of these dying poems are rich and varied,covering almost every aspect of life.The third chapter probes into the stylistic aspects of the dying poems and the dying writings before the Tang Dynasty.First of all,from the aspect of genre,terminal poetry and terminal prose,according to the different functions,show two types of literature and application.In literary works,there are mainly Ballads,Songs of Chu,four words,five words,six words,Fu and other forms.In applied works,there are imperial edicts,memorial documents,letters and other types.Whether literary or applied works,whether long or short,because the heart sound and full of feelings,harnonious sound,not only meet the requirements can also have their own special place.Secondly,in terms of style,literary and applied works have different expressions in the language system and rhetoric,but they all have strong literariness and full momentum.Finally,in terms of style,no matter it is meticulous or crude,no matter it is emotional or rational,no matter it is elegant or explicit,the dying poems before the Tang Dynasty are sincere and have their own style.In short,the deathbed poems and prose before the Tang Dynasty not only moved us in content,but also had their own characteristics in style.Not only it has the historical data value,also can enrich our emotion,increases our understanding to the ancients.