The "Oriental Elements" In Zao Wou-ki's Works Have Enlightened My Creation

Since learning painting,I have great interest in abstract painting.The theme of expressing the images and colors of natural scenery has always been my creative direction.The reason for studying the Oriental elements in Zhao Wuji's abstract painting language is that Zhao Wuji can make use of his own advantages to make use of the unique elements of the Oriental painting language,and realize the unique abstract language different from the western oil painting language from the elements of traditional Chinese painting.Zhao Wuji's success in the world today is due to the use of Oriental elements.Zhao Wuji's works have the artistic conception of Oriental ink painting.Another important reason for studying Zhao Wuji is that there is an emotional factor in social life at that time for the creative background behind Zhao Wuji's works and for the integration of his true feelings into each pair of works,not only for the simple aesthetic or visual effect of the picture,but also for the abstraction of the abstract.People are like clouds without their own thoughts and do not know themselves.Why do I paint like this? This kind of creation is meaningless and soulless.Even if the painting is brilliant again,it is only some appearance.It also reminds me of the mentor's daily emphasis on mobilizing emotions to create,only in the emotions will be wholeheartedly involved,the picture will be more changeable possibilities.According to some problems appearing in his creation and some Oriental elements influencing him in his works,this paper mainly analyses some specific points in the aspects of color and texture of brush strokes,and explores the specific Oriental elements in Zhao Wuji's works in three chapters from his own creative perspective and from the perspective of "oriental elements".The first chapter discusses the motivation,purpose and scope of the study.The second chapter analyses the works from the perspective of Oriental elements in color texture and brushwork.Chapter three finds out the shortcomings and reasons from the exploration of self-creation and the analysis of works,and combines the Oriental elements to create.Then it summarizes and draws useful experience and enlightenment.Find out the problems from their own works,and then find more possibilities that can be used for reference and found more suitable for their own combination of East and West.Learn to citeone thing against the other,in the future creative process to explore and find more suitable for their own Oriental elements.This is the most important,learning methods is far more important than learning skills,and then hope to form a unique style in constant attempts and self-denial.