Research On The Buddhist Murals In The Wenshu Hall Of Yanshan Temple

Based on previous studies,this article discusses the image of the Buddhist biography in Manjushri Temple of Yanshan Temple in Fanshi from two perspectives: the content of the theme of the image and the form of expression.And expect to find the reason for the new appearance of the Buddhist images in the Wenshu Hall of Yanshan Temple.This article focuses on image research,using field research,iconography,stylistics,historical documentation,and comparative analysis methods to systematically study the images of Buddhism in Manjusri Palace.This article is divided into three parts,the first one On the basis of predecessors,some systematically sorted out the titles and contents of Buddhist images in Manjushri Temple,reinterpreted some of the contents in Buddhist murals in Manjushri Temple,and found out the key performances of Shakyam as a prince.The reason;in the second part,explore the image representation of the mural,mainly from the narrative expression of the image of the Buddha,and through the specific exploration of the expression of the image of the part of the Buddhist image in the Manjushri Temple,I hope to express the image of the image of the Buddha.To analyze and summarize the characteristics,I hope to be able to discover the unique appearance of the Buddhist images of Manjushri Temple;the third part mainly analyzes the reasons for the new appearance of the Buddhist images of Manjushri Temple,and finds that these new performance contents and forms are the same as those of the time.The social situation is closely related,for example,the Confucian Wuchang plays an important role in the selection of subject matter content and the performance of image details.The story is the performance of the Buddha and the social background and experience of the artist's paintings are not unrelated.