A Study On The Style Of Stone Inscriptions During The Pingcheng Period Of The Northern Wei Dynasty In Datong, Shanxi

The Northern Wei Dynasty in history was an extremely turbulent era,and it was such a special environment that made the culture of the Han and ethnic minorities blend with each other,and the artistic styles became more diverse.Weibei Calligraphy,as one of many arts,has simple and harmonious brushwork,thick dot paintings,and profound bones;its strong structure and rich variety;its large number and wide variety are also not comparable to other writing of.As the inheritance of the Han and Jin dynasties,the Wei stele of the regular script of the Tang and Song dynasties has become an indispensable part of the evolution of the style of the book.It not only reflects the evolution of history and culture,but also symbolizes that calligraphy has made human spiritual civilization.Special contribution.Nowadays,scholars who study the style of Wei Bei's writings always say "Luo Yang",and the words must say "Luo Yang",but the books about Da Wei's Northern Wei stone carvings and ink are little known,which can be said to be the Wei Bei style study A big shortcoming.The book style of this period is rarely mentioned,to a certain extent,because it is in an immature initial stage,but it is precisely because of this "immature" that the Weibei calligraphy in the Pingcheng period There are two different styles of scripts in Lishu and Kaishu.The author will try to analyze the charm of Weibei's calligraphy during the Pingcheng period in Datong through research and comparison.This article will discuss from four chapters.The first chapter mainly summarizes the stone carvings stored in the Datong area during the Pingcheng period and explains the reasons for their large numbers.The second chapter mainly analyzes the stone carvings unearthed in the Datong area during the Pingcheng period,starting with the stroke form,and summarizing the style with local characteristics.Then,the stone carvings are divided into several different appearance features from the structure for comparison and comparison,so as to fully reflect the uniqueness of the stone carvings in the Datong area.The third chapter analyzes the reasons for the formation of the calligraphy style in the Pingcheng period,including the influence of the style of writing in the period of the Sixteen Kingdoms,the development of the political society in the period of Pingcheng,and the style of writing style of the famous calligraphers of the society.Chapter 4 elaborates the influence of the stone carving style in the Pingcheng period on later generations and the calligraphy styles that scholars can learn from in the future.The author believes that only by carefully comparing the stone carvings of the Datong area in the Pingcheng period can we grasp its unique local style and integrate its characteristics into practical creation,borrowing from the past and present,and injecting new elements into the creation of regular script in the future.