An Aesthetic Study Of The Image Of "sorrowing Zheng" In Tang Poems

This paper takes “ai'zheng” as the research object,aiming at the following questions: how is the formation of sound image from sound to sound? Does “ai'zheng” as a literary epithet influence the historical sound of the “zheng”? From the perspective of receiver,how does sound image affect the subject's sound experience? To this end,this paper focuses on the occurrence and approach of the main body in the process of sound image formation to explore how to form the historical sad aesthetics of zheng.While discussing the nature of acoustics,this paper discusses the important position of the main body's “listening” and“feeling” in the forming process of the image of zheng by the aesthetic relationship among the performer,the listener and the text,and probes into the occurrence process of the relationship of sound and emotion in the image of “ai'zheng”.Phenomenology and emphasizes the aesthetic object is built object intention,this and Chinese traditional aesthetic interpretation of “imagery”is consistent with the theory thinking,this thesis make a reasonable explanation based on the theory of phenomenology,from voice to intention,from intention to image again,come to the conclusion as “ai'zheng” of sound image in different levels of intentionality activities appeared imagery,and flow with the layers of subject consciousness of intentional object,it exist as “the existence of the voice”,“the existence of the image”,“the existence of the culture” and “the existence of the concept” to finish the transmission of the“ai'zheng”,and to shape the history of zheng's aesthetic style.