Talk About The Role Of The Relationship Between Black, White And Gray In Chinese Painting

Black and white and grey relationship itself comes from western sketch drawing to introduce,does not involve the concept in traditional Chinese painting,but the early neolithic pottery decoration,the han dynasty stone,brick rubbings,printing of buddhist scriptures,the Ming and qing dynasties book illustration,and so on are included in black and white ash relationship,is in traditional Chinese painting or the fine brushwork of contemporary black and white color,black and white ash elements are actually plays a very important role.Because of this unique black,white and grey color,we have formed what we call ink and brush,which makes the image and the image interact with each other and construct a complete picture language.The thesis is divided into three chapters.In the first chapter,the author expounds the role of black,white and gray in the expression of painting works and the expression of artistic conception from three perspectives,namely,the chroma of the materials,the expression form of ink and brush,and the aesthetic view of Chinese painting.The second chapter,with a picture of a specific work,Zhou Sicong Kuang Gong Tu-inferno as an example,to specify by black and white ash on the image and details of the overall arrangement of the processing,using the characteristic of the Chinese painting ink,how to present the content level forms and visual impact works,and the ink expression of emotion and humanity spirit.The third chapter,combining the relationship between black,white and grey,the principle of composition and the layout of the form of expression,adopts the space of multi-angle observation,the experience and application of thinking and feeling in accordance with the real life and the spirit of The Times in my own creative practice.