A Probe Into The Language Expression Of "Fu" In Sichuan And Chongqing Folk Songs

“Fu,bi and xing” is a simple and noble expression technique of three languages summarized by the ancients in the book of songs,the earliest collection of poems in China.“Fu” is a direct expression of all things and psychological feelings,the characteristics of straight and white;“Bi” is a metaphor,a means of expression that combines the environment with the characters.“Xing” is the expression of emotion caused by the environment,characterized by deep and wan.These three language expression techniques are not only the artistic expression forms of important symbols in the book of songs,but also the most commonly used rhetorical devices in the creation of poetry in ancient China.The theme of “fu,bi and xing” has been rooted in academic research for a long time,and quite a lot of fruitful achievements have been made.However,from the perspective of artistic expression techniques of language expression,more studies have been conducted on these two techniques,while relatively few have focused on “fu”.Although the expression technique of “fu” is also taken care of by many scholars in language expression,so far,the discussion on the combination of artistic expression technique and folk song in this language expression is still in short stock.With the rapid development of national economy,modern artistic creation has also expanded correspondingly.This language expression technique has also been widely used in the local artistic and cultural elements,especially in the sichuan-chongqing folk songs.Therefore,this paper analyzes the artistic expression of “fu” in sichuan-chongqing folk songs reflected in language expression,and expounds the expression and expression of “fu” in sichuan-chongqing folk songs.The research process is divided into the following parts: the first part: the meaning and function of “fu” in language expression,in order to deeply understand the meaning of “fu”,understand the origin,application and function of “fu” in language,and analyze the embodiment of “fu” in music works;The second part: to further understand the expression of “fu” in the music form,style and context of sichuan-chongqing folk songs,so as to summarize the relationship between“fu” and sichuan-chongqing folk songs;The third part: it mainly analyzes the ways that sichuan and chongqing folk songs embody “fu” in dialect,singing,emotion and performance image,and analyzes the important role of “fu” in the language expression of sichuan and chongqing folk songs,highlighting the important influence of “fu” as a language expression technique on artistic creation of later generations.Through to “fu” in the language art in the folk songs in each performance analysis,aims to explore the traditional culture and the interdependence of national music,seek to “fu” embodied in the language expression and a close relationship between each folk art performance,in the inheritance and optimization under the mutual influence of provide innovative ideas for each value of folk art,in-depth study of traditional culture and folk art combination of innovation and development,is the important way to reflect the value of modern art in our country,only in this way,we can for our country's contribution to a force of cultural development.