| With the rapid development of contemporary society,the quickening pace of life makes people who have lived in cities for a long time yearn for the nature more.Spring is the season of recovery of all things,full of vitality,spring is also a symbol of hope and vitality.Whether living in the distant ancient times or the modern era with the rapid development of science and technology,the harmonious coexistence between man and nature is always a poetic pursuit of people.The creation to "go on spring outing" as the theme,describes the modern city girl "through" in the tang dynasty YouChun,symbol of youthful vitality of contemporary urban girls and traditional figure painting the comely lady YouChun figure "YouChun ladies in combination in the same picture,on the one hand,create a sense of ancient and modern time and space shuttle on the composition,combining realism technique and image model,on the other hand,in the form of learning and reference respect tradition,including: the traditional approach of color,character modelling,composition,etc.At the same time,through the study and reference of the tutor "water trace" meticulous brushwork character creation.This creation is named "Tachun·Heng",which stands for everlasting life and also symbolizes the enduring vitality of "culture" and "classics".The thesis is divided into four parts.First,the research background of the theme of "spring outing",the research and analysis of the content and form of domestic and foreign painting works on this theme,and the research significance of this creation.The second part expounds the conception process of the creation from two aspects:the source of inspiration and the expression of theme.The third part combines the creative process of go on spring outing,constant,including me the law of the composition form aesthetic feeling and thinking,imagery and realistic modelling modelling and origin of aesthetic implication of exploration,and to trace the "water mark" pen and ink language arts research learning and thinking,the last is a traditional Chinese painting painting programs as well as to the understanding and practice of the color relations.The fourth part is my extended thinking on thiscreation and the prospect of the future road of artistic creation. |
