Research On Liang Qichao's Calligraphy Interesting View

The 19 th century and the beginning of the 20 th century are not only the important historical period of the development and evolution of Chinese academic culture,but also the important development stage of Chinese modern aesthetics.Liang Qichao is an important representative figure in this period.In the stage of politics and scholarship,calligraphy became a hobby that Liang Qichao could not give up in his whole life.Liang injected a lot of energy into calligraphy art,especially in the aspect of calligraphy theory.Compared with the traditional calligraphy history,calligraphy evaluation and calligraphy description,Liang Qichao made in-depth analysis and Research on calligraphy from the standpoint of an aesthetician,which broadened the research horizon of traditional calligraphy.To study Liang Qichao's calligraphy,his aesthetic thought is an important starting point,and the core of Liang Qichao's aesthetic thought is "interest doctrine".Therefore,this paper studies Liang Qichao's calligraphy view from the perspective of "interest",and deeply excavates the transformation,development and innovation of Liang's calligraphy view compared with traditional calligraphy theory,such as the "Four Beauties" and "four schools" of calligraphy that he knows This paper will interpret it from the perspective of "interest".