The Aesthetic Connotation Of Zhuangzi's Tianlai View

Zhuangzi,a representative work in the history of Chinese thought,has a profound impact on Chinese traditional philosophy,aesthetics,literature and art.The view of "sounds of nature" contained in his "Qi Wu Lun" has rich aesthetic and artistic values,and has a profound impact on the theory and practice of traditional Chinese Aesthetics.To clarify the content of Zhuangzi's view of "sounds of nature" and confirm its historical position is conducive to exploring the promotion of Zhuangzi's aesthetics to the development of traditional Chinese aesthetics.This paper analyzes Zhuangzi's view of "sounds of nature" and its philosophical basis,sorts out the origin of Zhuangzi's view of "sounds of nature",carries out etymological research,Context Interpretation and philosophical analysis,clarifies the aesthetic connotation of "sounds of nature",and finds out the rich natural aesthetics and cosmology contained in the view of "sounds of nature".Through theoretical analysis,it is found that "I lose myself" is an important methodology to achieve the "sounds of nature".On the one hand,"I lose myself" is a concrete method of "materialization",which shows the Taoist personality;on the other hand,there are differences and complementary relations between "I lose myself" and "Nourishing Qi Theory" of Confucianism,which jointly promote the development of traditional aesthetics.The view of "sounds of nature" has rich artistic appreciation and artistic creation value,which has a profound impact on Chinese traditional music,poetry,calligraphy and painting.At the same time,based on the aesthetic transformation of "I lost myself" and the aesthetic experience of "sounds of nature" view,after continuous integration and development,has led to the appreciation of Chinese traditional art,playing a significant role,and has been constantly renewed,and it is still full of aesthetics shine.