The purpose of this study is to highlight the way rock and roll has been marginalized in the art historical literature produced on the artist Andy Warhol. Treated more as a sideline activity, Warhol's affiliation with rock and roll was anything but marginal. The origins of Warhol's interest in and foray into the world of rock and roll are traced along with the impact it had on the artist, influencing his image transformation in the early 60s and prompting friendships, as well as artistic collaborations. Special focus is given to Warhol's relationship with rock star Mick Jagger and 3 of the album covers that bear artwork by Warhol: The Velvet Underground and Nico (1967) by the Velvet Underground, and the Rolling Stones' Sticky Fingers (1971) and Love You Live (1977). Rock and roll emerges as a personal vehicle of sexual transgression and self-expression for Warhol. |