A Study On The Chinese Rock And Roll Music From The Reception Aesthetic

Rock and Roll music was produced in 50 years of the 20th century, from the moment it was born to a restless gesture caused uproar in the music world. In 80 years of the 20th century 80s, rock music has in the emerged in China, suffered from attention and questioned. Rock music and culture, history, politics has a delicate relationship, in which many phenomena and classic works has become with more research value and significance of the text. Through study the unique attitude and culture of art in rock and roll music, contribute to a better understanding of this unique musical culture and form.Reception Aesthetic Theory In this paper, the methodology of study was the aesthetic process of listen rock, will rock China, as the main target of the study, explained the background of Chinese rock and roll roots and ideological and cultural characteristics. Article is divided into three chapters, the first chapter is the history of rock music and the concept, including the development of Chinese rock and roll history and its cultural background. In Chapter Two,the based on to theory of Reception Aesthetics, ande analysis of the specific aesthetic appreciation for the process of rock. The third chapter is the rock of the modern aesthetic thinking, mainly through China's cultural roots of rock music, Chinese elements in China rock music, the "aesthetics of daily life" and development of the Chinese rock under the four aspects of Chinese rock and roll explained.Rock at a sub-culture as a musical form, the absorption of culture, tolerance and inheritance play an important role. In the development and commercialization of human civilization prevalent today, from prosperity to decline the rock, facing a huge challenge. Chinese rock rebellious attitude and in the arts and business, see the struggle, so it has more content and value of research.