| This thesis is an explorative study to examine Norman Rockwell as a propaganda artist. During World War II, the United States government needed to rally Americans for different purposes. Illustrators and artists were called upon to produce images that would generate public interest and patriotism. This study reveals that Norman Rockwell's work for The Saturday Evening Post and the United States government was propaganda under the sign of patriotism. Drenched in American culture, Rockwell's images were perceptions of the nation's interpretation of itself. Americans found assurance and comfort in his allegoric images, an element that opened communication between Rockwell and the public. This analysis addresses an understanding of Rockwell's place in American history. Conclusions are drawn based on how he kept the country active in its support of the war effort. |
