Research On Artistic Representation And Cultural Connotation Of Yanzhao Costumes In Qing Dynasty

In the report of the 19th National Congress of the Communist Party of China,General Secretary Xi Jinping pointed out: “Culture is the soul of a country and a nation.Culture rejuvenates the country,and culture is strong and the nation is strong.” On September 10,2018,General Secretary Xi Jinping at the National Education Conference It also pointed out that it is necessary to comprehensively strengthen and improve the school's aesthetic education,adhere to the use of aesthetics to educate people,and to improve students' aesthetic and humanistic qualities.Traditional Chinese aesthetic education not only teaches the aesthetic emotions brought about by art forms,but also contains profound and strong family and country feelings,social rationality and moral spirit.In recent years,the revival of traditional culture has promoted the protection and inheritance of my country's traditional costume culture.Although the academic circles have paid more or less attention to the content of folk costumes in the past,most of them are researches on the costumes of the Jiangnan and Qilu regions with significant regional characteristics,and the Yanzhao regional costumes in a specific historical period and social background.There are few studies on artistic representation and cultural connotation.The unique geographical environment and humanistic atmosphere made the Yanzhao area of the Qing Dynasty formed a nomadic and Han costume culture,which condensed the excellent folk art spirit of our country.Through the research on the Qing Dynasty Yanzhao costume,we can not only use it The phenomenon of clothing evolution grasps the development law and regional cultural characteristics of clothing,and has a clearer understanding of the living habits,ethnic spirit and spiritual connotation of people in Yanzhao area.It also has a certain role in promoting the protection and inheritance of current traditional culture.This thesis is based on the return of modern traditional culture as the background,taking Yanzhao regional costumes as the research object,and selecting this period of time in the Qing Dynasty.The physical analysis of costumes,combined with the textual research of works,papers,modern magazines,newspapers and other documents,and the visits to the inheritors of traditional skills,fully understand the historical evolution,influencing factors,form characteristics and cultural connotations of Yanzhao costumes in Qing Dynasty.content.In the thesis,it discusses the artistic representations of Yanzhao clothing in Qing Dynasty,such as the shape,fabrics,patterns,colors,and craftsmanship,as well as the cultural connotations of symbolism,emotional expression,and auspicious meaning contained in Yanzhao clothing in Qing Dynasty.Through research,we can know the unique characteristics of Yanzhao clothing in Qing Dynasty.Among them,blue and black are used in clothing colors;patterns are generally traditional auspicious patterns;because the northern part of Yanzhao is a plateau,animal skins are used as clothing materials;Some characteristics such as the representative inlaid roll in the Qing Dynasty.According to the characteristics of Yanzhao clothing and the application status of Yanzhao clothing culture,the application strategy of traditional clothing culture in modern clothing design is proposed.Under the guidance of methodology,the traditional artistic representation and cultural connotation of Yanzhao clothing in the Qing Dynasty are combined with modern international fashion,and some traditional elements such as styles,colors and patterns in the Yanzhao clothing culture of the Qing Dynasty have been used to conceive and design the series.Clothing and make ready-to-wear works.The research in this paper is also a more realistic thinking support for modern design,and it is also a very valuable theoretical support for modern clothing design and cultural research.