Bodily Experience And Folk Art Inheritance

Folk craftsmanship has a rich heritage and a wide variety of types,and is closely related to social production and daily life of the people.It is a gathering of material and spiritual needs of an ethnic group.Lan Dianyao clothes skill is a kind of traditional folk craftsmanship,with strong ethnic characteristic,regional and artistic characteristics.The Baise Lingyun Lan Dianyao is an ethnic group that respects nature,worships ancestors,and pursues harmony.From “collective memory” to “collective skills”,their clothing skills have been passed down from generation to generation,fresh and simple,reflecting their living standards,aesthetic taste and character cultivation.The process of dyeing cloth,clothing sewing,tailoring and decoration is complicated and delicate,and it can also meet the consumption requirements of modern social and cultural groups.This article takes Baise Lingyun Lan Dianyao's clothing skills as the research object,and elaborates on the body's perception experience,aesthetic experience and identity representation contained in the skills,and discusses its modern inheritance and development.Borrowing John Dewey's “empirical theory” and Yu Shunde's related concepts of “body sense”,this article preliminarily shows that in a relatively closed ethnic society,Lan Dianyao's traditional clothing skills have a relatively stable living space,and superior natural and geographical resources have constructed traditional clothing.The uniqueness,systemicity and other characteristics of skills.Borrowing Liu Zongyue's folk art theory,it depicts that traditional clothing skills permeate the production and life of the main body of Lan Dianyao culture.which has natural protection,full of aesthetic feeling and serves the people.And the people of the traditional Lan Dianyao clothing skill full of strong feelings and ethnic complex.Clothing skills are the backbone of ethnic cohesion and an important medium for the reconstruction of social and cultural order.In the context of multicultural dialogues and exchanges,Lan Dianyao's traditional livelihood methods have encountered conflicts,and their clothing skills have undergone a transformation from a single to a diversified form.Inheritance and transformation are a long process of mutual adjustment between people's body perception experience,subject-behavior practice and culture.In order to quickly adapt to modern changes,cultural production and cultural consumption will inevitably become an inevitable strategic choice for the reconstruction and regeneration of Lan Dianyao's clothing skills.In the process of transformation,how to realize conscious innovation and development of traditional clothing skills,and how to coordinate with cultural compatibility is the key to this article.This article is composed of three parts: introduction,body and conclusion.The introduction part narrates the reason,purpose and significance of this research topic,reviews and sorts out the current academic research,and expounds the academic theories,research content and research methods used.The main body consists of five parts.The first part mainly focuses on the formation background and development process of Lan Dianyao's clothing skills.Show the geographical environment,natural resources,humanistic background and development of Baise Lingyun and Shali Guobo.The second part focuses on John Dewey's “empirical theory” and Yu Shunde's related concepts of “body sense”,starting from the “body skills”in body perception experience,and discusses the interaction between Lan Dianyao people's body perception experience and local ecology and environment.By understanding the people's perception and experience skills,we can clarify the ecological cognition of local bluegrass cultivation techniques,the ecological practice of Landian dyeing techniques,and Landianyao clothing making skills.The third part uses Liu Zongyue's folk art theory to focus on the aesthetic meaning of folk craftsmanship,and on the basis of detailed analysis of the beauty of folk art,reveals the symbolic representation it carries.The fourth part discusses the inheritance and protection path of the Lan Dianyao clothing skills under the background of changes of times.Taking the living inheritance of folk craftsmanship as a point of view,it hopes to strengthen the overall protection of folk craftsmanship on the basis of giving play to the people's body-subject experience,cultural identity and self-confidence.The fifth part is a summary of the relationship and significance of body experience to the inheritance of folk art.Lan Dianyao's clothing skills are based on bodily experience,which is often the integration of the interaction between the people and the social and cultural environment of a specific region and ethnic group.This chapter focuses on the bodily experience of folk artists,starting from their internalized perception and externalized practical dimensions,and pays attention to the space of folk arts inheritance constructed by the main body of art through “body experience”as a medium.The conclusion part is a general summary of the full text.Bodily experience plays an important role in the lives of the Lan Dianyao people.The formation and inheritance of Lan Dianyao's clothing skills is based on the life practice of the people's body.Through the subjective experience of the body,the people coordinate and adapt the “knowledge”and “action” of the body to carry out practical activities.This empirical practical activity constitutes the folk art,and the physical experience becomes the main body and medium of folk art inheritance.