| In the call of contemporary design seeking regional cultural characteristics,both graphic design and architectural design are trying to find ways to better retain traditional Chinese culture,integrating with the times to promote the development of design and changing the status quo of the "Thousands of Sides" of many cities in China.Semiotic theory is one of the important methodologies for architectural and landscape design creation.It can form a logical method to guide the design and continue the local context.The Tibetan art symbol system is the most effective way to spread traditional Tibetan culture and Tibetan Buddhist culture.Traditional Tibetan residential buildings are a type of building with very regional characteristics.It has a close relationship with Tibetan Buddhism.Tanka is an important form of painting in Tibetan Buddhist culture,which has the title of“moving temple”.Luhuo County,Ganzi Tibetan Autonomous Prefecture of Sichuan Province has been known as the "Tangka Art Village" since ancient times,and the development of its tourism economy is inseparable from the inheritance and development of Tangka art cultureThis article is divided into five chapters.The first chapter introduces the research background,and identifies the research projects are Tibetan traditional villages and residential buildings in Luhuo County,Langkaj Thangka in Luhuo County,and the Tangka Art Center proposed by the author.On this basis,the research purpose,significance and research methods of the article are established.The second chapter introduces the basic concepts of semiotics,and briefly summarizes the thoughts and developments of the three representatives of semiotic theory.From the aspects of Morris’s semantics,semantics and pragmatics,It reveals the relationship between semiotic theory and architecture and landscape design.The third chapter analyzes the natural and human background of Luhuo County,the traditional Tibetan villages of Luhuo County,the traditional Tibetan residential buildings in Luhuo County,and the art of Langkajtanga in Luhuo County.Then extracting and expressing the symbols of the buildings and related elements in Tibetan area of Luhuo County.The fourth chapter describes the architectural and landscape design plan of Tangka Art Center in Luhuo County,Ganzi,Sichuan.It introduces the site selection and surrounding environment,design ideas and planning,and uses the Tibetan architecture and related symbols in Luhuo County.From the perspective of semiotics,the component elements and design methods of scheme design are summarized at the level of semantics and semantics.The fifth chapter is the conclusion and prospect.The author is only trying to combine the semiotic theory with the architectural landscape design practice.It explores the methods and ways of modernizing the traditional architectural language,hoping to provide more ideas for the architecture and landscape design in the future. |