Study On The Decoration Of Buddhist Building Components In The Record Of Buddhist Temples In Luoyang

This article uses the Record of Buddhist Temples in Luoyang written by Yang Xuanzhi of the Northern Wei Dynasty as the research text.It sorts out the descriptions of Buddhist buildings in its texts,combines the architectural decoration art between Han and Tang dynasties,and changes in social customs.The dual evidence method focuses on the macro-connection of Han and Tang cultures,focuses on the microanalysis of the architectural decoration in the Northern Dynasty,extracts the most representative component decoration in the text,and develops the art of Buddhist architectural component decoration in Record of Buddhist Temples in Luoyang.The Buddhist architectural decoration in Record of Buddhist Temples in Luoyang can be divided into three categories: carving,painting,and component decoration.Among the categories,there is a phenomenon of staggered decoration due to the complicated technology.Among them,the component decoration is influenced by the way of building a temple,which can be divided into the decoration of palaces inherited from the National Great Temple.The decoration of palaces in Buddhist architectural elements,such as the Qing Suo and Lie Qian decoration commonly found in the Han and Wei palaces.Judging from the literature records of the Han,Wei and Six Dynasties,Qing Suo and Lie Qian have a clearer development trajectory from the decoration of palaces in the Han Dynasty to the decoration of private houses and Buddhist temples in the Wei,Jin,and Northern and Southern Dynasties.The Qing Suo and Lie Qian architectural decoration has environmental integration,artistic aesthetics and cultural symbolism.During the Six Dynasties,Qingsuo and Lie Qian were incorporated into the architectural decoration of famous temples and guilds with their gorgeous and magnificent beauty.They were affected by the architectural culture of feudal society,and they were in harmony with the respect for heaven,tianyuan local thought,thought of yin and yang,which prevailed during the period.The decoration of the house in Buddhist architectural elements,such as the door nails and head ring decoration found in the tombs of the Northern Dynasty.From the relevant archeological data of the Northern Dynasty,the decoration of door nails is becoming more and more standard,and the style of the title ring has evolved from a Chinese-style nose-penetrating ring to a Tang-style mouth-to-mouth title ring.Affected by Buddhist art,Buddhist motifs are incorporated into the ornamentation of the door nails and the title ring.The house door decoration is the facade of a house.In addition to its practical architectural functions,the door nails and pavilion rings also have the symbolic meaning of the town house residence and etiquette.Religious decorations in Buddhist architectural elements,such as the Phase wheel and Wind-bells decoration that began to appear on the top of Buddhist pagodas.Since the end of the Han Dynasty,under the influence of the Indian Brahma customs,the Han Dynasty has been building towers and towers.The Phase wheel(phase wheel)and Wind-bells are the symbolic ornaments on the top of the tower,which carry the decorative implication of the Indian-Vatican Buddhist architecture,embody the comprehensive beauty of religious decorative arts,and fully show the Buddha’s demeanor.The relevant records in Record of Buddhist Temples in Luoyang reproduce the Buddhist pagodas and temples of the Northern Wei Dynasty,which are a collection of royal palaces,private residences,and religious decorations.They are the masters of architectural skills since the Han and Wei dynasties,and are also the architectural and decorative arts between Han and Tang Essence.The surviving structures seen in the decoration studies between Han and Tang dynasties reproduce the decorative features such as utensil shapes,decorative themes,and color application styles under the influence of Buddhist culture.The Record of Buddhist Temples in Luoyang and the decoration of Buddhist architectural components can provide an important reference for the reconstruction of Han and Tang architecture.