Study On The Color Characteristics Of Chinese Classical Royal Palace From The Perspective Of Cultural Integration

Summer resort is China’s last feudal society last crystallization of landscape gardening,its Zhao Jian is the political product of ethnic unrest in early qing appease huairou,site selection and construction to give full expression to the landscape of the qing emperor two bosom far grand nation unify Chinese conception,differs from general royal gardens,is precious world historical and cultural heritage in our country.At the same time,as the last feudal dynasty in the feudal society,the social culture of the Qing Dynasty created indelible brilliant achievements incomparable to other feudal societies in the process of cultural integration.This paper focuses on analysis for the first time at the beginning of the qing dynasty culture under the background of the fusion summer resort features and explore what are cultural thought patterns influence the summer resort,is through what way into the color level,and under this influence mechanism between the different hue combination,finally achieve harmony of summer resort integral colour tone,Kangqian and the two emperors garden idea fit.Based on summer resort colour as the research object,with the aid of chromatology,color geography theory and cultural integration theory,and the theory of cultural geography theory method,by adopting the method of anthropological fieldwork,color technology related research methods and Research methods of cultural history and intercultural communication on the basis of relevant research methods,to explore the cultural fusion of summer resort colour the leading role of perspective.Firstly,starting from the background of the color formation of the summer resort,the paper analyzes the natural geographical pattern of the region where the summer resort is located,including the macro external pattern and the micro internal pattern,and concludes the selective influence of the unique natural geographical pattern on the color of the summer resort.Then,it starts with the human geographical pattern of the region where the summer resort is located.The main culture,that is,the palace culture under the influence of the gardener’s will,and many other cultures,including the Central Plains Confucian culture,ethnic minority culture,religious culture,Buddhism culture and other pluralistic cultural background,are analyzed and concluded that these pluralistic cultural background has a foundation influence on the formation of the color of the summer resort.Then from the perspective of cultural fusion,in the analysis under the background of manchu culture background fusion of deconstruction fusion,fusion,fusion process,the basis of the application to study the research object of this paper-summer resort color level,from its early qing Zhao Jian different cultures under the background of the inquiry,including the Confucian culture and collapsed,collision and fusion of culture;The collision and fusion of Manchu culture and Han and Confucianism culture;The collision and integration of ruling culture and regional culture;From the four aspects of the collision and fusion of religious culture and regional culture,this paper explores the influence of these cultures on the overall color of the Summer Resort in the process of conflict and game,penetration and blending to integration and co-prosperity,as well as the externalized representation of them.Then in the field research,literature research,based on the analysis of the summer resort of multicultural integration,from the spatial pattern and spatial imagery of summer resort,with two kinds of power(and theocratic imperial power),two kinds of culture(Chinese culture),the compromise between the two regional characteristic as the clue,to three regions(the palace area,garden scenic area,The research objects of color painting of the roof,wall,gate,column,beam,window and detail of the key buildings inside the temple area were studied to comb the color characteristics of the summer resort under the integration of different cultural groups.The color expression under the integration of ritual culture and contemporary culture,the color expression under the Manchu culture and the Han and Confucianism culture respectively;Color expression under dominant culture and regional culture;The paper analyzes the color characteristics from the four perspectives of color expression under religious culture and regional culture,combs and summarizes the overall color structure of the Summer Resort,analyzes the color characteristics and differences between different regions,and finally elaborates the color characteristics of the Summer Resort from the perspective of cultural integrationFinally,from the perspective of cultural integration of the historical value of the architectural color of the summer resort,the strategy of the protection and survival of the summer resort color is discussed,and corresponding suggestions are given.