Research On Soundscape Of Wudang Lamasery Scenic Area In Baotou City

Wudangzhao Lamasery,as the most complete existing pure Tibetan Buddhist temple in Inner Mongolia,is one of the focus of cultural tourism construction in Baotou City.In recent years,with the strong support of the government,the landscape construction in the scenic area has been further optimized,but the soundscape is easily overlooked.Taking this as an opportunity,this paper conducts research and evaluation on the soundscape of Wudangzhao Lamasery scenic area in Baotou City,and provides a reference for the soundscape protection and construction of the scenic area.Different from traditional acoustic research,soundscape emphasizes people’s subjective feelings and explores the connection between people and the environment,making scape research more suitable for people’s needs.This paper first conducts a literature survey on the research background,concept and research status of "Soundscape" at home and abroad,and has a comprehensive understanding of the development of soundscape.Taking the Wudangzhao Lamasery scenic area in Baotou City as the research object,the discussion on the soundscape is carried out through the combination of objective quantification and subjective qualitativeness.Combining the "soundwalks",sound level measurement and sound recording,classify and sort various soundscape resources in the scenic area,draw Soundscapegraphy,analyze their physical and psychological parameters,and achieve quantitative research.At the same time,the soundwalks and questionnaires are combined to evaluate the quietness,comfort and coordination of the soundscape in the scenic area.From the statistical results,it can be seen that the comfort of the soundscape has a significant correlation with the spatial scale of the visual scene.A good visual landscape effect weakens the adverse effects of noise to a certain extent.The correlation analysis with the acoustic parameters reveals that the sharpness and soundscape comfort is obviously negatively correlated.Afterwards,103 valid survey questionnaires were collected.After sorting and analyzing,it was found that loudness was significantly correlated with sound quietness and soundscape comfort,while harmony coordination was not significantly correlated.The respondents had beliefs in social attributes significantly related to soundscape evaluation.Factors such as the purpose of visiting the scenic area,age,gender,and soundscape evaluation are not significantly correlated.People like the natural sound of the three types of sounds the most,and the most favorite sound is the chanting sound.Then based on the above analysis,I summarized the soundscape and artistic conception of Wudangzhao Lamasery scenic area,starting from the macro to micro perspective,including the real and virtual soundscape.The method of soundscape construction is borrowed and introduced scenery,and used in the layout.Methods such as dynamic and static partitioning,soundscape axis,etc.are introduced.Finally,it summarizes the problems existing in the soundscape of Wudangzhao Lamasery scenic area and puts forward specific optimization suggestions.Soundscape is a comprehensive subject,which covers architecture,landscape,psychology,etc.Therefore,the study of soundscape should also be multifaceted and comprehensive.This paper intends to explore new ideas in the study of the landscape environment of classical Tibetan Buddhist temples and gardens from a new perspective,and contribute to broadening the research perspective and protecting the soundscape of traditional scenic area.