A Study On The Formal Language Of Tibetan Subjects In Oil Painting In The New Era

Since the rise of Tibetan oil painting,after the research and exploration of the older generation of artists,it has gone through several periods of development and transformation.While absorbing and learning from traditional Chinese painting and Western painting,it has created a form language with ethnic customs.The "new era" of this topic refers to the period after the reform and opening up.In this period,the development of Tibetan oil painting in China has entered a new stage.Influenced by various factors such as the national historical and cultural background and the needs of the painting itself,Tibetan oil painting art creation has gradually become a boom.More and more artists go deep into Tibetan areas,unique natural landscapes and humanities Contain the special complex of becoming a painter.After the new era,painters began to pay attention to the transmission of ethnic spirit and personal emotion in their creation,which made Tibetan oil painting have a new development in the realm,and the characteristics of ethnic group and region are more clear,This has laid a foundation for the development of Chinese ethnic theme oil painting,accumulated strength and made great achievements.With the development of the times,the transformation of aesthetic concepts,and the rich use of media materials and formal language in creation,Tibetan oil painting formal language has a greater space for development,performance is more abundant,showing diversified characteristics,and promoting the formation of ethnic oil painting language.In the Tibetan theme art creation,the rational use of oil painting form language strengthens the sensory effect of the picture,enhances the expression of the picture,enriches the expression of the picture,and conveys the artist’s emotion and inner spirit.At the same time,through the analysis of formal language,it deepens the refining of ethnic spirit and cultural connotation in the creation of Tibetan oil painting,and promotes the development of oil painting formal language.The absorption,reference,inheritance and development of Chinese traditional culture in creation are conducive to the inheritance of ethnic spirit and the establishment of ethnic cultural self-confidence.In this period,the creation of Tibetan oil paintings has a deeper pursuit in both the creative thought and the formal language,which also marks a major breakthrough in the creation of oil paintings in the new era.