Research On The Narrative Characteristics Of Chinese Film About Peasants Entering The City(2000-2018)

"Peasants Entering the City" is an important phenomenon in the social transformation of China,and is also an important subject of Chinese literary and artistic creation.After entering the 21st century,a wealth of films whose theme are "Peasants Entering the City" appeared in Chinese film.Some scholars did research on this kind of works,but there is still place for narration research exploration.This thesis takes the narration of "Peasants Entering the City" in Chinese film literature in the 21st century as the main research object,and takes the narrative theory originating from the field of literature research as the starting point,and intends to analyze the narrative works of "Peasants Entering the City" in the film which have been publicly shown in the Chinese Mainland(from2000 to 2018).There are five chapters in this thesis.In the introduction section,I will summarize the background and significance of the paper,and make sure the scope of research,and introduce the academic research related to this topic.The first chapter introduces the development of the narrative works of "peasants into the city" in Chinese film since the 21st century and the reasons for their changes.The second chapter analyzes the common narration perspective and the application rules of the narrative works of " Peasants Entering the City" in Chinese film.The third chapter focuses on the analysis of its narrative time and space art and its aesthetic effect.The fourth chapter discusses the structural mode of " Peasants Entering the City" narrative works in Chinese film since the 21st century.Finally,we will combine the analysis and discussion of the above chapters to examine and summarize the value and shortcomings of the narration of "Peasants Entering the City" in the new century film literature.Focusing on the 21st century,research on narration of "Peasants Entering the City" in Chinese film mainly focuses on the narration of "peasants entering the city" in contemporary Chinese films,and the daily life and spiritual status of "peasants entering the city"-the largest group of people in our society.This is not only the process of peasants from the countryside to the city,but also the process of people trying to adapt to the city and integrate into the city from life and psychology.Mick Barr thinks that narration is the way of cultural understanding and the mode of cultural expression,and I thinks that the work on the narration of "Peasants Entering the City" in the film of the 21st century is also one of the ways to analyze the culture behind the current literature and reality.I expect to be able to base on the dual position of sensibility and rationality,pay attention to and think about the hi storical event of "Peasants Entering the City",and make an objective assessment of the narrative of "Peasants Entering the City" in the film of our century,and strive to make a modest contribution to the improvement of the situation of those who enter the city.