Discover The Relationship Between Grassland Area And Inner Mongolia Oil Painting In 1980s

In any history of art,any art performance is closely related to the local social background.Area is one of the most important factors to influence art.The vast land and human spirit of Inner Mongolia as cornerstone contribute to grassland oil painting.Inner Mongolia oil paintings keep the original geographical and ethnic characteristics,and also focus on art creation of grassland area performance,which are gradually to form lyrical characteristics of Inner Mongolian oil paintings.Geographical characteristics of grassland influence ethnic consciousness and decided the characteristics of ethnic.The inspiration of oil painting artist comes from life and artist expresses actual feeling on the oil painting.Grassland area and ethnic characteristics decide art creation and expression on spiritual connotation of ethic,in order to highlight area feature of Inner Mongolian oil painting.In early 1980 s,Inner Mongolian oil paintings as the role undertook different times.After Chinese culture revolution depressed public though,oil paintings had more accumulation and precipitation in culture.After Chinese culture revolution,Inner Mongolian oil paintings gradually recovered and developed to a new era of prosperity.Art influences of Inner Mongolia also break down original area closed condition and turn to entire country.After1987,reform and opening changed people? s life and though deeply and some oil painting artist of Inner Mongolia start to go abroad,including,Tuo Musi,Gao Jin.These artist successively held art exhibition,and also studied international culture and combined with own Inner Mongolia features,which promote Inner Mongolia oil painting achieve clipping development.Oil painting creation is that artist process and creates based on objective reality,and will not be divorced from reality.Inner Mongolia Artist expresses feeling by Oil painting after deeply thought based on life and nature.Most of InnerMongolia oil paintings are lyrical arts because too many artists of loving grassland life gather in grassland.They prefer to describe grassland and life of grassland,and gradually form creative group of Inner Mongolia oil painting.Art creation cannot depart objective environments,which can be obviously feel the grassland area and culture by people In Inner Mongolian art.Firstly,many Mongolia artists prefer to use grey in their oil painting.For example,Mr Tuo Musi,in his oil painting,amount of grey constitutes whole works,which is a symbol for Mr Tuo? s arts.In the landscape,many Inner Mongolia artists prefer to show ethereal space or magnificent mountain,in order to highlight grassland charming.In figure painting,artists prefer to Mongolian image in order to express characteristics of Mongolian.All are the geographical feature of Inner Mongolian grassland,which can be express by oil painting in best way.In 1980,Inner Mongolian oil paintings are based on grassland area,break down innate style,absorb more multiple culture influence,which promote rapid development of Inner Mongolia oil painting and which also is a foundation for future development.